.jpg?w=1)
Selbstbildnis
Details
Käthe Kollwitz (1867-1945)
Selbstbildnis
etching. 1912, on heavy wove paper, signed in pencil, from an unnumbered edition of 30 on various papers; together with, Vier Männer in der Kneipe (Kn. 15) etching, 1892-97, on simili Japan paper, signed in pencil; with, Selbstbildnis am Tisch (Kn. 21) etching and aquatint, circa 1893, on wove paper, unsigned, with, Selbstbildnis (Kn. 171) etching, 1921, on watermarked Van Gelder laid paper, signed in pencil, each in generally good condition
Plate: 140 x 100 mm., Sheet: 317 x 224 mm. (and similar)
(4)
Selbstbildnis
etching. 1912, on heavy wove paper, signed in pencil, from an unnumbered edition of 30 on various papers; together with, Vier Männer in der Kneipe (Kn. 15) etching, 1892-97, on simili Japan paper, signed in pencil; with, Selbstbildnis am Tisch (Kn. 21) etching and aquatint, circa 1893, on wove paper, unsigned, with, Selbstbildnis (Kn. 171) etching, 1921, on watermarked Van Gelder laid paper, signed in pencil, each in generally good condition
Plate: 140 x 100 mm., Sheet: 317 x 224 mm. (and similar)
(4)
Literature
Knesebeck 126 VII c (of VII d)
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
Further details
“I felt that I have no right to withdraw from the responsibility of being an advocate. It is my duty to voice the sufferings of people, the sufferings that never end and are as big as mountains.”
Käthe Kollwitz
The etchings and lithographs of Käthe Kollwitz simultaneously captured the human sentiment at its most raw and tender. The artist sought to celebrate not only the humanity, but also the struggles of the proletariat; finding inspiration from the poorest of citizens attending her husband’s medical clinic. Living through political upheavals and the horrors of two World Wars, her own anguishes were documented by her successive self-portraits, yet Kollwitz continued to give a voice to those whom could so easily have been forgotten.
Käthe Kollwitz
The etchings and lithographs of Käthe Kollwitz simultaneously captured the human sentiment at its most raw and tender. The artist sought to celebrate not only the humanity, but also the struggles of the proletariat; finding inspiration from the poorest of citizens attending her husband’s medical clinic. Living through political upheavals and the horrors of two World Wars, her own anguishes were documented by her successive self-portraits, yet Kollwitz continued to give a voice to those whom could so easily have been forgotten.
If you wish to view the condition report of this lot, please sign in to your account.