A FRENCH PATINATED-BRONZE FIGURE OF A SEATED LADY ENTITLED 'LA BRODEUSE' (THE EMBROIDERER)
A FRENCH PATINATED-BRONZE FIGURE OF A SEATED LADY ENTITLED 'LA BRODEUSE' (THE EMBROIDERER)
A FRENCH PATINATED-BRONZE FIGURE OF A SEATED LADY ENTITLED 'LA BRODEUSE' (THE EMBROIDERER)
1 More
A FRENCH PATINATED-BRONZE FIGURE OF A SEATED LADY ENTITLED 'LA BRODEUSE' (THE EMBROIDERER)
4 More
THE PROPERTY OF A LADY
A FRENCH PATINATED-BRONZE FIGURE OF A SEATED LADY ENTITLED 'LA BRODEUSE' (THE EMBROIDERER)

CAST BY A. A. HEBRARD FROM THE MODEL BY AIME-JULES DALOU (1838-1902), PARIS, LATE 19TH/EARLY 20TH CENTURY

Details
A FRENCH PATINATED-BRONZE FIGURE OF A SEATED LADY ENTITLED 'LA BRODEUSE' (THE EMBROIDERER)
CAST BY A. A. HEBRARD FROM THE MODEL BY AIME-JULES DALOU (1838-1902), PARIS, LATE 19TH/EARLY 20TH CENTURY
Signed 'DALOU' with foundry stamp 'CIRE / PERDUE / A.A. HEBRARD' and numbered '(B-1)'
11 ½ in. (29 cm.) high
Literature
A. Simier, Jules Dalou, le sculpteur de la République, Exhibition catalogue, 18 April – 13 July 2013, Paris, p. 343-345, no. 280.

Brought to you by

Adam Kulewicz
Adam Kulewicz

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

'La Brodeuse', the embroider, is the first of Dalou’s sculptures showing young women seated, reading, washing, sewing or holding children. These homely scenes occupied Dalou for a decade and were hugely popular. Their intimacy and sentimentality belie the modernity, almost radicalism, with which they were viewed at the time – when set alongside the heroic and grandiose sculpture of the Second Empire. A lifesize plaster of La Brodeuse was exhibited at the Salon in 1870 and bought by the State for 3000 fr. to be carved in marble. This bronze is cast from a plaster sketch, and the fluidity of Dalou’s hand modelling remains visible in the bronze. It is one of a small edition cast by the Hébrard foundry; among a number of bronzes that Dalou reserved in his will to be cast to benefit the Orphelinat des Arts and so take care of his daughter Georgette after his death.

More from The Opulent Eye - 19th Century Furniture, Sculpture & Works of Art

View All
View All