Lot Essay
Ferdinand Barbedienne presided over one of the most renowned and prolific foundries of Belle Époque Paris. His atelier created sculptures, clocks, bronze mounts and objets d’art of the highest quality, and his works were shown at numerous international exhibitions of the period. A model of the present clock, reprising the Berainesque decoration of the cabinetry of André-Charles Boulle and the sun-burst mounts frequently seen on furniture made during the Ancien Régime – was shown at the 1889 Exposition universelle in Paris.
Louis-Constant Sévin (d. 1888) worked as chief designer at Barbedienne for 23 years from 1855 and created the most varied and innovative objects for Barbedienne’s awe-inspiring displays at the international exhibitions and for his most prestigious commissions, 'les bronzes du roi de Hollande, les bains du roi des Belges, la chapelle et le tombeau du prince Albert à Frogmore, les candelabres du Kremlin, les portes du tombeau de Nicolas à Odessa…’ (V. Champier, Revue des Arts Décoratifs, Neuvième année, 1888-89, p. 174).
Louis-Constant Sévin (d. 1888) worked as chief designer at Barbedienne for 23 years from 1855 and created the most varied and innovative objects for Barbedienne’s awe-inspiring displays at the international exhibitions and for his most prestigious commissions, 'les bronzes du roi de Hollande, les bains du roi des Belges, la chapelle et le tombeau du prince Albert à Frogmore, les candelabres du Kremlin, les portes du tombeau de Nicolas à Odessa…’ (V. Champier, Revue des Arts Décoratifs, Neuvième année, 1888-89, p. 174).