A PAIR OF MEISSEN FIGURES OF 'THE MARQUISE DE POMPADOUR AND THE PRINCE DE ROHAN'
These lots have been imported from outside the EU … Read more
A PAIR OF MEISSEN FIGURES OF 'THE MARQUISE DE POMPADOUR AND THE PRINCE DE ROHAN'

CIRCA 1750-52, THE PRINCE WITH TRACES OF BLUE CROSSED SWORDS MARK TO BASE

Details
A PAIR OF MEISSEN FIGURES OF 'THE MARQUISE DE POMPADOUR AND THE PRINCE DE ROHAN'
CIRCA 1750-52, THE PRINCE WITH TRACES OF BLUE CROSSED SWORDS MARK TO BASE
Each dressed as an opera singer in a theatrical pose, the Marquise standing with her right hand outstretched wearing a wide crinoline skirt painted with pink roses draped in a lilac train, the Prince wearing a plumed helmet, gilt cuirass and tunic, with a puce cloak, each standing on scroll-moulded base applied with flowers and foliage (areas of restoration and retouching, some flaking to enamels and wear to gilding)
The Marquise 7 7/8 in. (19.8 cm.) high; the Prince 9 5/8 in. (24.3 cm.) high
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Lot Essay

The Marquise de Pompadour and the Prince de Rohan are depicted in the third act of the opera Acis and Galatea, the opera by Lully that was performed at Versailles in 1749. Kändler may have been inspired by a now lost gouache by C.N. Cochin le Jeune, although a later 19th century engraving of the performance exists (for an illustration see page 64). The Marquise was an enthusiastic and gifted actress and singer and at her wish, two small theatres were built at Versailles for amateur performances. The model of the Marquise is recorded in a small number of porcelain collections although the figure of the Prince is very rare. Two models of the Marquise de Pompadour are in the Pauls-Eisenbeiss Collection, see Porzellan des 18. Jahrhunderts, Frankfurt, 1967, Vol. I, pp. 446-449 where the model is attributed to Kändler;1 another is illustrated in the Catalogue of the Collection of Dresden Porcelain, Formed by S.B. Joel Esq., 2, Gt. Stanhope Street, London, W., Vol. I, circa 1900 or later, complied by Frank Partridge, pp. 18-19. Another figure of the Marquise is in the Untermyer Collection (formerly in the Ole Olsens Collection, Copenhagen and in the collection of Mrs. Meyer Sassoon), see Yvonne Hackenbroch, Meissen and other Continental Porcelain Faience and Enamel, London, 1956, pp. 31-32, Fig. 30. The author notes that a pair of figures of the Marquise and Prince are in the Schlossmuseum, Berlin; a pair of figures are illustrated by Dr K. Berling, Königlich Sächfifche Porzellanmanufaktur Meissen 1710-1910, Dresden, 1911, Table 6, Figs. 4 & 52;2 a pair are in the Wadsworth Athenaeum, Hartford (Gift of J. Pierpont Morgan, 1917.1326 and 1917.1327) and a pair in the Bern Historische Museum (Bern, BHM, Inv. 37141). Hackenbroach also refers to a pair of figures in a private collection which are almost certainly the present pair, where she states that the Marquise was formerly in the Kocher Collection, Bern, see ibid., 1956, p. 32. A figure of the Marquise formed part of the 'Highly Important Early Continental Porcelain Collection', sold in these Rooms on 28 March 1977, lot 131 and a pair of figures were sold by Bonhams, London on 12 November 2003, lot 48.


1. The same model is attributed to F.E. Meyer by I. Menzhausen and Jürgen Karpinski, In Porzellan verzaubert die Figuren Johann Joachim Kändlers in Meissen aus der Sammlung Pauls-Eisenbeiss Basel, Basel, 1993, pp. 120-123.

2. Berling refers to the male model as Louis XV.

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