A PAINTING OF THE SIXTH KARMAPA, TONGWA TONDEN
A PAINTING OF THE SIXTH KARMAPA, TONGWA TONDEN

TIBET, 19TH CENTURY

Details
A PAINTING OF THE SIXTH KARMAPA, TONGWA TONDEN
TIBET, 19TH CENTURY
Very finely painted with the Karmapa seated on an elaborate throne before a table of offerings, holding a vajra in his right hand and a bell in his left, wearing a delicately patterned uniform covered by a monk’s patchwork shawl with intricate gold design, a lavish blue, orange and gold cape draped around his lap, his focused expression with bow-shaped mouth, long wide nose and upturned elongated eyes with furrowed brows, his cropped hair surmounted by a black peaked hat decorated with jewels and centered by a crescent moon and sun over a double vajra, his head backed with a translucent red halo, two devotees seated on cushions to his left and an attendant standing in the foreground holding a large text, all set against a verdant landscape with flowing rivers, delicate foliage and clouds
Opaque pigments and gold on textile
39 ½ x 24 in. (100.5 x 60 cm.)
Provenance
Private collection, Colorado, acquired by 1 June 1989
Literature
Himalayan Art Resource (himalayanart.org), item no. 23949

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Sandhya Jain-Patel
Sandhya Jain-Patel

Lot Essay

The Karmapa is the head of the Karma Kagyu sect of Tibetan Buddhism, the largest of four sub-school of the Kagyu tradition, whose origins date back to the 12th century.

This finely rendered painting of the 6th Karmapa Tongwa Tonden (1416-1453), is the eighteenth composition from a large set of Karma Kagyu lineage teacher paintings known as the Kagyu Sertreng. With a rich iconographic narrative, the painting depicts Saraswati, goddess of literature, poetry and wisdom, seated on a cloud at the upper right; the third Shamarpa Chopel Yeshe (1406-1452), which translates to "Holder of the Red Hat," seated to the right; and just below him, the renowned Sakya teacher, Rongton Sheja Kunzig (1367-1449).

Compare with a set of seven paintings depicting lineage teachers of the Karma bKa’-brgyud-pa tradition (D. Jackson, A History of Tibetan Painting, 1995, p. 292, figs.148-154).

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