A CARVED QINGBAI MEIPING
A CARVED QINGBAI MEIPING

SOUTHERN SONG DYNASTY (1127-1279)

Details
A CARVED QINGBAI MEIPING
SOUTHERN SONG DYNASTY (1127-1279)
The meiping with high-shouldered, tapering body is carved with a broad band of scrolling tendrils between double borders. It is covered inside and out with a glaze of pale aquamarine tone that ends above the foot to expose the fine biscuit ware.
10 1/4 in. (26.2 cm.) high, Japanese wood box
Provenance
Sen Shu Tey, Tokyo
Literature
Sen Shu Tey, The Collection of Chinese Art, Tokyo, 2006, p. 67, no. 85
Exhibited
Sen Shu Tey, Special Exhibition Run Through 10 Years, Tokyo, 2006, Catalogue, no. 85

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Ruben Lien
Ruben Lien

Lot Essay

Starting from the early Northern Song dynasty, kilns at Jingdezhen achieved success in producing very fine white-bodied porcelain covered with a glaze of icy blue tinge, earning the name qingbai, 'blue white', or yingqing, 'shadow blue'. The exquisite quality of qingbai porcelain was widely recognised, and the Southern Song ceramic historian Jiang Qi mentioned in his treatise Tao ji (Ceramic Records) that white porcelain produced at Jingdezhen was so refined and pure that it was known as Raoyu, 'jade of Rao'. Raozhou was the name of the region in which the Jingdezhen kilns were located.

A larged example was sold at Christie's Hong Kong, 26 November 2014, lot 3231. A similarly carved meiping with broader shoulders is illustrated in Sekai toji zenshu, vol. 12, Song, Tokyo, 1977, pl. 30; and another is illustrated in Mayuyama Seventy Years, Tokyo, 1976, pl. 417.

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