A SALTILLO SERAPE
Specified lots (sold and unsold) marked with a fil… Read more
A SALTILLO SERAPE

MEXICO, EARLY 19TH CENTURY

Details
A SALTILLO SERAPE
MEXICO, EARLY 19TH CENTURY
Woven in two panels, a few small repairs, overall very good condition
8ft.3in. x 4ft.2in. (250cm. x 126cm.)
Special notice
Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Brought to you by

Jason French
Jason French

Lot Essay

Saltillo serapes are the result of a fusion of Native American and Spanish textile traditions. Woven on narrow European looms in two joined parts, these iconic and flamboyant textiles acquired a nationalist flavour when Mexico gained independence from Spain in 1821. Named after the town in the Mexican state of Coahuila where many of them were made, Saltillo serapes were designed to be multi-functional and became associated with use by Mexican horsemen. They used them as clothing during the day, draping them like shawls around them, and at night they were used as blankets, often seen rolled up and placed behind a saddle. The importance and varied use of these textiles in everyday life means that frequently serapes are found with damage or losses, the present example is in remarkably good condition with a particularly fine weave and soft wool. Although some serapes can present a dark palette with an emphasis on shades of indigo and red, the ivory ground of the present lot creates an attractive balance within the design; for related examples in the Alberto Ulrich Collection and a detailed discussion of the history and technical aspects of serape weaving, see Kathrin Colburn's article 'The Saltillo Serape: History & Conservation', Hali 79, February/March 1995, pp.80-87.

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