JU MING (CHINESE, B. 1938)
This Lot has been sourced from overseas. When au… Read more
JU MING (CHINESE, B. 1938)

Taichi Series

Details
JU MING (CHINESE, B. 1938)
Taichi Series
signed in Chinese; dated '84' (engraved on the bottom)
wood sculpture
9 x 19 x 22.6 cm (3 1/2 x 7 1/2 x 8 7/8 in.)
Executed in 1984
This work is accompanied by a certificate of authenticity issued by Kalos Gallery, Taipei, Taiwan
Provenance
Private collection, Asia
Special notice
This Lot has been sourced from overseas. When auctioned, such property will remain under “bond” with the applicable import customs duties and taxes being deferred unless and until the property is brought into free circulation in the PRC. Prospective buyers are reminded that after paying for such lots in full and cleared funds, if they wish to import the lots into the PRC, they will be responsible for and will have to pay the applicable import customs duties and taxes. The rates of import customs duty and tax are based on the value of the goods and the relevant customs regulations and classifications in force at the time of import.

Lot Essay

Born in 1938 in Miaoli County, Taiwan, Ju Ming became an apprentice of renowned sculptor Yuyu Yang. He studied Tai Chi during the seventies, and since then developed deep insight into the world of Tai Chi and martial arts.
Created in 1984, the “Taichi” series explore the interplay of yin and yang in Tai Chi, with dark and light created through sculpting and carving techniques to evoke the “emptiness” of yin, and the “realness” of yang. Such light and shadow is naturally preserved to the finish, allowing the combination of flat planes with textures to evoke the very Eastern spiritual concepts. It has both a wooden and rocky quality, which successfully demonstrates different textures of the natural elements. This piece looks at the interaction between environment and the forms the Tai Chi movement “Cross Hands” takes, such as the “static yet dynamic” movement and the eye movements. The precise and skilled craftsmanship creates vivid sense of movement through a combination of firmness and softness. Full of vitality, this piece seamlessly fuses traditional Chinese wood carving techniques with a more concise contemporary style.

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