Alfred W. Elmore (1815-1881)
Specified lots (sold and unsold) marked with a fil… Read more PROPERTY OF A GENTLEMAN
Alfred W. Elmore (1815-1881)

A Greek Ode

Details
Alfred W. Elmore (1815-1881)
A Greek Ode
signed and dated '18.AElmore.79.' (lower right)
oil on canvas
48 ½ x 35 ½ in. (123.2 x 90.2 cm.)
Provenance
By descent to the artist's daughter.
The Executors of Alfred Elmore, R.A. (†); Christie's, London, 5 May 1883, lot 136 (250 gns to Permain).
with Roy Miles Fine Painting, London.
Literature
The Athenaeum, 1879, p. 571.
Exhibited
London, Royal Academy, 1879, no. 213.
Special notice
Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Lot Essay

Elmore is best known for his much-celebrated work The Emperor Charles V at the Convent of St Yuste (1856, Royal Holloway, University of London). Recognised from an early stage in his career as a promising artist, the Art Journal pronounced that: 'Mr. Elmore, we understand, is young; if he progresses as he has commenced, we shall ere long add another name to our limited list of great English masters' (Art Journal, 1839, p. 8). Travelling extensively in Europe, Elmore studied the pictures and antiquities in Paris, Venice, Florence, Rome, Munich and Dresden. He exhibited extensively at the Royal Academy, so much so that a later Art Journal critic commented that 'such an instance of good fortune...is, we imagine without a parallel in the history of the Academy...Mr. Elmore is an artist who follows no beaten track; he thinks for himself and works out his ideas in a spirit of independence, affording as great pleasure in the novelty of the subjects he places before us, as by the skilful and effective manner in which they are treated' (Art Journal, 1857, p. 115).

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