Lot Essay
The illustrations in this manuscript include:
1. The Murder of Iraj
2. Rustam and Suhrab
3. Rustam captures Kamus
4. The execution of Afrasiyab
5. Gushtasp puts Isfandiyar in chains
6. Rustam shoots Isfandiyar
7. Bahram kills the dragon
The finely illuminated bifolio at the beginning of this Shahnama include vertical panels that frame the text. These include distinctive bold blue arabesque filled with floral vine, on a gold ground. These can be paralleled in the decoration of the Eckstein Shahnama – where similar scrolls fill the outsize hasps that project into the margin (Will Kwiatkowski, The Eckstein Shahnama. An Ottoman Book of Kings, London, pp.25-27). Though not attributed to a particular centre there, they are described as being of Safavid imperial style, and dating to the 16th century. Similar motifs are found both in 1575 in Herat, see for instance two Qur’ans in Istanbul (TIEM 423; Yilinda Kur'an-i Kerim, exhibition catalogue, Istanbul, 2010, kat.74, pp.300-301).
1. The Murder of Iraj
2. Rustam and Suhrab
3. Rustam captures Kamus
4. The execution of Afrasiyab
5. Gushtasp puts Isfandiyar in chains
6. Rustam shoots Isfandiyar
7. Bahram kills the dragon
The finely illuminated bifolio at the beginning of this Shahnama include vertical panels that frame the text. These include distinctive bold blue arabesque filled with floral vine, on a gold ground. These can be paralleled in the decoration of the Eckstein Shahnama – where similar scrolls fill the outsize hasps that project into the margin (Will Kwiatkowski, The Eckstein Shahnama. An Ottoman Book of Kings, London, pp.25-27). Though not attributed to a particular centre there, they are described as being of Safavid imperial style, and dating to the 16th century. Similar motifs are found both in 1575 in Herat, see for instance two Qur’ans in Istanbul (TIEM 423; Yilinda Kur'an-i Kerim, exhibition catalogue, Istanbul, 2010, kat.74, pp.300-301).