William Glasby (1863-1941)
William Glasby (1863-1941)

Designs for stained glass: Day and Night

Details
William Glasby (1863-1941)
Designs for stained glass: Day and Night
both signed 'William Glasby' (lower left) and inscribed with titles (lower centre, in cartouches), Day signed again (lower right), both further inscribed 'PSEUDM 'MULLION.' (on the reverse)
pencil and watercolour heightened with white on paper
each 19 ¼ x 13 1/8 in. (48.9 x 33.3 cm.)
(2)
Literature
The Studio, vol. X., 1897, p. XI.
D. Green, D. Hadley, J. Hadley, 'The life and work of William Glasby, The Journal of Stained Glass, 2008, XXXII, p. 95.

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Clare Keiller
Clare Keiller

Lot Essay

Glasby joined the stained glass firm James Powell & Sons as an apprentice in 1876, eventually becoming chief painter, before working for Henry Holiday and Morris & Co. and making his own designs from the 1890s. The present pair of works are his first known independent designs, and received an honourable mention in the stained-glass category of The Studio magazine prize competition of 1897. 'Mullion' was the pseudonym under which Glasby entered the competition. Their non-religious subjects are unusual in Glasby's oeuvre, and it seems that the glass panels may have been made for the fledgling South Kensington Museum as a demonstration of the art form. They were later purchased by J. Pierpoint Morgan, and are now in the Metropolitan Museum, New York.

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