Lot Essay
The reign of Nasir al-Din Shah (1848-96) was one of change and modernisation in Tehran. Nasir al-Din supported a local school of portraiture which abandoned the style of Fath 'Ali Shah in favour of a European-influenced academic style, ranging from state oil portraits to watercolours of unprecedented naturalism (Julian Raby, Qajar Portraits, London, 1999, p.56).
The new sense of realism, a product of this developing style, is apparent in this bust portrait of Nasir al-Din. It is highly likely that our painting was based on a photograph, which was at the time a new and influential art form beloved of the shah.
The new sense of realism, a product of this developing style, is apparent in this bust portrait of Nasir al-Din. It is highly likely that our painting was based on a photograph, which was at the time a new and influential art form beloved of the shah.