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Lot Essay
Living at Church Farm in Swainsthorpe from around 1903 until 1911, Munnings often rode with the Norwich Staghounds: 'Hunting became a part of my life, and I saw many things on those days: bright winter sunlight on clipped horses and scarlet coats; on bare trees; stacks; on farmhouse gables; the riding out after a slight frost; the riding home with a frost beginning and a young moon in the sky; puddles already crisping over as I said good night to friends. Such were needed to freshen my mind and vision' (An Artist's Life, Bungay, 1950, p. 258).
The horse in the present work is probably Rebecca, the dark brown mare, fifteen hands three inches high, which Munnings had purchased some years earlier from his friend the Norwich horse dealer, Richard Bullard. 'Good-natured to the last degree, she served as hack, hunter and model. When the Gowings, father and son, colt-breakers, came from Harleston and clipped my new possession (they used a hand-clipper in those days), Charles, the son, declared her a "good 'un", and she looked the part' (op. cit., p. 184). The sitter, as in A Flash of Scarlet (lot 72) is probably George Curzon who regularly modelled for the artist's hunting scenes.
Huntsman in Cover formed part of the celebrated Bunting collection of Works by Sir Alfred Munnings (sold in these Rooms, 12 June 2002, lot 1). Charles A. Bunting (1878-1950) was born in the same year as Munnings, into a family of prominent Norwich drapers. It is unclear how they met, but he formed a collection of over twenty early works all dating before the Great War. He was instrumental in arranging and contributing to two landmark exhibitions of the artist's work, in Norwich in 1928 and Bury St Edmunds in 1939.
We are grateful to Lorian Peralta-Ramos for her assistance in preparing this catalogue entry. This work will be included in her forthcoming catalogue raisonné of the works of Sir Alfred Munnings.
The horse in the present work is probably Rebecca, the dark brown mare, fifteen hands three inches high, which Munnings had purchased some years earlier from his friend the Norwich horse dealer, Richard Bullard. 'Good-natured to the last degree, she served as hack, hunter and model. When the Gowings, father and son, colt-breakers, came from Harleston and clipped my new possession (they used a hand-clipper in those days), Charles, the son, declared her a "good 'un", and she looked the part' (op. cit., p. 184). The sitter, as in A Flash of Scarlet (lot 72) is probably George Curzon who regularly modelled for the artist's hunting scenes.
Huntsman in Cover formed part of the celebrated Bunting collection of Works by Sir Alfred Munnings (sold in these Rooms, 12 June 2002, lot 1). Charles A. Bunting (1878-1950) was born in the same year as Munnings, into a family of prominent Norwich drapers. It is unclear how they met, but he formed a collection of over twenty early works all dating before the Great War. He was instrumental in arranging and contributing to two landmark exhibitions of the artist's work, in Norwich in 1928 and Bury St Edmunds in 1939.
We are grateful to Lorian Peralta-Ramos for her assistance in preparing this catalogue entry. This work will be included in her forthcoming catalogue raisonné of the works of Sir Alfred Munnings.