Hamed Nada (Egyptian, 1924-1990)
Please note that on 1st of January 2018, the UAE i… Read more PROPERTY FROM THE COLLECTION OF DR. JIHAD ISSA, DAMASCUS
Hamed Nada (Egyptian, 1924-1990)

Untitled

Details
Hamed Nada (Egyptian, 1924-1990)
Untitled
signed and dated 'H.Nada 54' (lower right)
oil on panel
38 x 30 1/2in. (96.5 x 77.4cm.)
Painted in 1954
Provenance
Acquired directly from the artist by Mr. Semaan Haddad, Damascus in the late 1950s.
Acquired from the above by the present owner in the 1980s.
Exhibited
Damascus, Cafe Gardenia, Egyptian Art Group Exhibition, circa late 1950s.
Damascus, Atlas Bookstore, circa early 1960s until the 1980s
Special notice
Please note that on 1st of January 2018, the UAE introduced a VAT regime. For all lots, a VAT charge of 5% of the buyer’s premium will be payable unless the lot is correctly exported out of the UAE within 90 days of the date of this auction. For lots marked with the ‘star’ * symbol in the catalogue, an import duty of 5% of the hammer price will be payable if the lot is collected or shipped within the GCC and an additional VAT of 5% will be charged on the duty-inclusive hammer price if the lot is released into free circulation in the UAE. Please see the Conditions of Sale in the sale catalogue for full details. If you are shipping outside of the UAE, you will need to indicate your shipping requirements and residency status to us prior to bidding to secure a VAT refund.

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Lot Essay

Enthralling the spectator in a strong and silent composition, Hamed Nada sought to demonstrate a reality which is especially sensitive. This piece is an exceptional example that testifies the singularity of the artist. “Salient among the features of artist Hamed Nada’s output is this extreme freedom which rules his creativity. It is a freedom,” wrote Farouk Basyouni in Al Jadeeda Magazine in October 1977. The painting offers a rich palette and dynamic movements through an extraordinary mode of expression. Through tribal symbols and deeply contrasted colors, Nada transports the viewer through a stimulating atmosphere.

The Syrian artist Elias Zayat describes this work as a masterpiece by Nada depicting ‘a complex composition between two women darkness and lightness with one of them in white clothing taking care of her young boy. I recall this nice exhibition that took place during the time of the union that didn’t last between Egypt and Syria, and this emphasizes the role of Nada painting the Egyptian identity.' (In conversation with Hala Khayat, November 2017)

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