Jean Béraud (French, 1849-1936)
Property from a Northeastern Collection
Jean Béraud (French, 1849-1936)

Portrait of Sir Campbell Clarke

Details
Jean Béraud (French, 1849-1936)
Portrait of Sir Campbell Clarke
signed and dated 'Jean Beraud/1899' (lower right)
oil on panel
18 1/8 x 10 in. (46 x 25.4 cm.)
Provenance
The artist.
(probably) Sir Campbell Clarke (1845-1902).
Anonymous sale; Christie's, London, 22 June 1990, lot 26, as Portrait of a Gentleman, standing small full length Morning Dress.
Private collection, US.
Anonymous sale; Sotheby's, New York 12 October 1994, lot 139, as A Full Length Portrait of a Gentleman in Morning Dress.
Acquired at the above sale by the present owner.
Literature
A. Proust, Le salon de 1899; cent planches en photogravure similé en couleurs par Goupil & Cie., Paris, 1899, p. 73, as Portrait de M. Campbell Clarke.
A. Dalligny, 'Les Salons de 1899. Société nationale des beaux-arts,' Le Journal des arts, June 24, 1899, p. 2.
P. Offenstadt, Jean Béraud 1849-1935, The Belle Epoque: A Dream of Times Gone By, Catalogue Raisonné, Cologne, 1999, p. 320, no. 475, illustrated.
Exhibited
Paris, Le Salon du Champ-de-Mars, 1899, no. 117, as Portrait de sir C. C...

Lot Essay

Sir Campbell Clarke (1835-1902) began his professional career working as a librarian for the British Museum. In 1870, he married Annie Levy, the daughter of J. M. Levy, owner of the Daily Telegraph, and was appointed the paper’s special correspondent in Paris. Clarke travelled widely while covering European news for the publication, and was the first to break the news of the British occupation of Cyprus, among other major international events of his time. He was also very active in the Parisian art, music, drama and literary scenes, serving on the jury for two Paris Exhibitions. In the present portrait, Béraud has captured the essence of the worldly and distinguished gentleman reporter, giving a nod to his occupation by including a rolled-up copy of the Daily Telegraph in his upended top hat on the chair at right.
For a note on the artist, see lot 5.

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