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Lot Essay
Narcissus, the son of the river-god Kephisos and the nymph Leiriope, was prophesied a long life by the seer Teiresias, provided that he did not see himself. The youth was famed for his beauty, and many tried in vain to win his love. One rejected lover asked the gods for revenge, and this was fulfilled by Nemesis. While out hunting, Narcissus came to a spring for a drink, and when he saw his reflection in the water, he instantly fell in love with his own image. Unable to pull himself away, he died, either from exhaustion, unrequited love, or drowning. A narcissus flower grew at the spot where he met his death. See Rafn, "Narkissos" in LIMC.
The sculptural type, thought to be based on a Greek original of the late 5th century B.C. by a follower of Polykleitos, is known from numerous late Hellenistic and Roman copies, including an example at Holkham Hall, Norfolk, no. 171 in Beck, Bol, and Bückling, Polyklet, Der Bildhauer der griechischen Klassik and another in the Metropolitan Museum of Art, New York, in reverse, no. 169 in the same publication. For another small-scale replica of this type, cf. A. Anguissola and C. Capaldi, Amori Divini, Museo Archeologico Nazionale di Napoli, 2017, p. 59, pl. 1.
The identification of the type as Narcissus has been questioned by some, but can be confirmed by a carnelian ring stone in Copenhagen (no. 54 in Rafn, op. cit.), which shows the youth standing at ease before a flowing spring, the name-sake flower already sprouting from the ground behind him.
The sculptural type, thought to be based on a Greek original of the late 5th century B.C. by a follower of Polykleitos, is known from numerous late Hellenistic and Roman copies, including an example at Holkham Hall, Norfolk, no. 171 in Beck, Bol, and Bückling, Polyklet, Der Bildhauer der griechischen Klassik and another in the Metropolitan Museum of Art, New York, in reverse, no. 169 in the same publication. For another small-scale replica of this type, cf. A. Anguissola and C. Capaldi, Amori Divini, Museo Archeologico Nazionale di Napoli, 2017, p. 59, pl. 1.
The identification of the type as Narcissus has been questioned by some, but can be confirmed by a carnelian ring stone in Copenhagen (no. 54 in Rafn, op. cit.), which shows the youth standing at ease before a flowing spring, the name-sake flower already sprouting from the ground behind him.