David Brian Smith (B. 1981)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
David Brian Smith (B. 1981)

My Soul Hath Them in Remembrance and Is Humbled in Me II

Details
David Brian Smith (B. 1981)
My Soul Hath Them in Remembrance and Is Humbled in Me II
signed, titled and dated 'David Smith 2011 MY SOUL HATH REMEMBRANCE AND IS HUMBLED IN ME II (2)' (on the overlap)
oil on herringbone linen
70 7/8 x 59 1/8in. (180 x 150cm.)
Painted in 2011
Provenance
Galerie VidalCuglietta, Brussels.
Acquired from the above by the present owner in 2011.
Exhibited
Brussels, Galerie VidalCuglietta, David Brian Smith, 2011.
London, Saatchi Gallery, Painters' Painter, 2016, p. 30 (illustrated in colour, p. 31).
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 20% is payable on hammer price and buyer's premium

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Tessa Lord
Tessa Lord

Lot Essay

From a farming background in Shropshire, David Brian Smith presents contemplative reflections on pastoral life in his landscape paintings, with an intriguing twist. His dreamlike works are rich with psychedelic colours: kaleidoscopic clouds float by in diamond skies, candy-coloured sheep graze in iridescent fields, and bowed, solitary figures stand amongst ethereal flora and fauna. In his 2011 painting My Soul Hath Them In Remembrance And Is Humbled In Me II, included in the Saatchi Gallery’s 2016 exhibition Painters’ Painters, Smith has inserted himself into his pop-coloured vision of British farmland. The painting is based on a photograph of the artist with his border collie in a field of sheep, in which wintry patches of snow are scattered across the crisp green grass and skeletal trees are silhouetted along the horizon. The image has been entirely transformed in Smith’s emotionally-charged and vibrant painting. Filled with swirling pools of colour, intricate patterns, and hazy warmth, the work evokes a powerful sense of nostalgia and loss in a time of increasing urbanisation.

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