A LOVELORN LADY
A LOVELORN LADY
1 More
These lots have been imported from outside the EU … Read more
A LOVELORN LADY

ATTRIBUTED TO FAIZULLAH, PROVINCIAL MUGHAL, NORTH INDIA, CIRCA 1770

Details
A LOVELORN LADY
ATTRIBUTED TO FAIZULLAH, PROVINCIAL MUGHAL, NORTH INDIA, CIRCA 1770
Opaque pigments heightened with gold on paper, an attendant massages the foot of a reclining lady under a canopy surrounded by peacocks on a terrace, laid down on modern gray paper, the reverse with unrelated text in black ink
Painting 7 x 5in. (17.8 x 12.7cm.); folio 9 ¾ x 7 ½in. (24.6 x 19.1cm)
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Brought to you by

Louise Broadhurst
Louise Broadhurst

Lot Essay

This finely rendered terrace scene has been attributed to Faizullah, an Awadhi artist who was painting in Faizabad and Lucknow in the late 18th century. The use of perspective displays a strong European influence and is inherited from earlier Mughal paintings which would have been known to artists in Awadh. In the late 18th century, Awadhi artists developed a penchant for lavish terrace scenes and a vibrant palette with bright textiles and women in colourful dresses. The figures and peacocks in this painting find comparison with another painting ascribed to Faizullah formerly in the William K. Ehrenfeld Collection and now in the Collection of Eva and Konrad Seitz (Ehnbom, 1985, cat.no.33, pp.82-83). The figures can also be compared to another terrace scene attributed to Faizullah which sold in these Rooms, 10 October 2013, lot 192.

More from Art of the Islamic and Indian Worlds Including Oriental Rugs and Carpets

View All
View All