A RARE WUCAI OVOID JAR
A RARE WUCAI OVOID JAR
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A RARE MING WUCAI OVOID JAR

JIAJING SIX-CHARACTER MARK IN UNDERGLAZE-BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1522-1566)

Details
A RARE MING WUCAI OVOID JAR
JIAJING SIX-CHARACTER MARK IN UNDERGLAZE-BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1522-1566)
The jar is decorated in overglaze turquoise, yellow, green, iron-red and black enamels with six quatrefoil cartouches, alternately enclosing phoenix or cranes, on a ground of twelve beribboned musical instruments interspersed with floral sprays, between bands of clouds around the rim and above the foot.
4 in. (10 cm.) high, box
Provenance
Jingguantang Collection
Sold at Christie’s New York, 16 September 1998, lot 363

Brought to you by

Priscilla Kong
Priscilla Kong

Lot Essay

The decoration of this jar, especially the depiction of the twelve musical instruments, is very rare. The twelve instruments depicted on this jar in counterclockwise order are: qin, pan pipes, drum, two-ended gong, xiao, hand drum in the top row; sheng, flute, se, chime, castanets, waist drum in the lower row.
A jar of this form and decoration but with the twelve musical instruments arranged in a slightly different order is in the British Museum, illustrated in Jessica Harrison-Hall, Ming Ceramics, London, 2001, no.9:108, where the author explains that these instruments are traditional Chinese musical instruments whose origin may be traced to the Shang and Zhou dynasties, and that they represent the Bayin, ‘Eight Classes or Sounds’ of instrument – stone, metal, silk, bamboo, wood, skin, gourd and earth. The author makes a further remark on the importance of musical rites at the Ming imperial court.

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