A CONFUCIUS-STYLE ‘AUTUMN JADE IN A COLD POND’ LACQUERED QIN
A CONFUCIUS-STYLE ‘AUTUMN JADE IN A COLD POND’ LACQUERED QIN
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PROPERTY FROM THE WATER, PINE AND STONE RETREAT COLLECTION
A CONFUCIUS-STYLE ‘AUTUMN JADE IN A COLD POND’ LACQUERED QIN

LATE MING-EARLY QING DYNASTY

Details
A CONFUCIUS-STYLE ‘AUTUMN JADE IN A COLD POND’ LACQUERED QIN
LATE MING-EARLY QING DYNASTY
The qin is of Confucius style, waisted along two ends of the body tapering to the zitan jiaowei, ‘burnt end’, the upper surface gently convex and inlaid with mother-of-pearl studs, hui, supported by two hongmu pegs, yanzu, ‘wild geese feet’, the seven tasselled tuning pegs, zhen, protected by two finials, huchen. The underside has two rectangular sound holes, termed as the longchi, ‘dragon pool’ and the smaller as fengzhao, ‘phoenix pond’. The name of the qin is incised above the longchi, Hantan qiuyu, ‘Autumn Jade in a Cold Pond’ in gold pigment, above a poem followed by the date Kangxi bingshen, ‘in the bingshen year of the Kangxi period’, corresponding to 1716, and the signature Yueqian shi ming, ‘inscribed by Yueqian’ in red.  The lacquer of the surface board is suffused with ‘ice’ crackles, and the bottom board with ‘running-water’ crackles. 
Overall length: 49 ¼ in. (126.1 cm.)
Width of shoulders: 7 5/8 in. (19.3 cm.)
Provenance
Dr. Tong Kin-Woon, Hong Kong, acquired circa 1980

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Priscilla Kong
Priscilla Kong

Lot Essay

The title of the qin derives from the concept of the clear sound made by throwing a jade pebble into a clear pond in Autumn when the air is clear and crisp. The poem may be translated as:
Enclose all phenomena in emptiness;
When played, thoughts are concentrated in simplicity.
Enjoy the universe;
Once attained, the dusty world slips far away. 
The signature inscribed on the bottom board belongs to Xu Yueqian, who and his father Xu Qiguang were both pre-eminent qin scholars of the early-Qing period. One of Xu Qiguang’s greatest achievements is the compilation of thirty-three qin scores known as the Wuzhizhai qinpu [Musical scores from the Studio of Five Awareness], whose publication was postponed until 1724 when his son Xu Yueqian was finally able to secure funding.

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