Attributed to Hieronimous Custodis (?Antwerp-c. 1593 London)
Attributed to Hieronimous Custodis (?Antwerp-c. 1593 London)

Portrait of Sir John Lyttelton (1561-1601), half-length, in a black and gold doublet and cartwheel ruff, holding a sword

Details
Attributed to Hieronimous Custodis (?Antwerp-c. 1593 London)
Portrait of Sir John Lyttelton (1561-1601), half-length, in a black and gold doublet and cartwheel ruff, holding a sword
dated and inscribed 'Ao · DN¯I 1583 / ÆT SVA 21' (upper left)
oil on canvas, transferred from panel
37 x 29 ¾ in. (94 x 75.6 cm.)
indistinctly inscribed ':NEC· E P[?] AMM[... SHC[?][...] / [...]QVARNS[...] INS'. (upper right)
in a mid-17th century auricular frame
Provenance
Lyttelton collection, Hagley Hall, Worcestershire.
Paul Smith; Christie's, London, 22 January 1954, lot 67, as 'Zuccaro'.
Acquired by the grandfather of the present owner in the 1950s, and by descent.
Literature
C.G. Lyttelton, 8th Viscount Cobham, A catalogue of the pictures at Hagley Hall, London, 1900, pp. 18-19, no. 47, as 'Unkown Artist'.

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Lot Essay

Lyttelton served as a Member of Parliament for Worcestershire having studied law at the Inner Temple. He was arrested in 1601 for his part in Robert, 2nd Earl of Essex's rebellion, who was charged with 'conspiring and imagining at London...to depose and slay the Queen, and to subvert the Government.' Though Lyttelton was eventually pardoned, he died of a fever in prison before his release. His brother, Humphrey, took over the use of Hagley Hall, but showed a similarly rebellious streak, and was beheaded in 1606 for his part in the Gunpowder Plot. According to the catalogue of works at Hagley (see op.cit.), the inscription at upper right, when translated, originally read 'Alas, me! who may neither avenge myself, nor even complain'. It has been suggested that this refers not to his complicated political position but, more prosaically, to his complicated relationship with his father.

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