A SEVRES (HARD PASTE) PORCELAIN GOLD-GROUND TEAPOT AND COVER (THEIERE 'BOUILLOTTE')
A SEVRES (HARD PASTE) PORCELAIN GOLD-GROUND TEAPOT AND COVER (THEIERE 'BOUILLOTTE')
A SEVRES (HARD PASTE) PORCELAIN GOLD-GROUND TEAPOT AND COVER (THEIERE 'BOUILLOTTE')
A SEVRES (HARD PASTE) PORCELAIN GOLD-GROUND TEAPOT AND COVER (THEIERE 'BOUILLOTTE')
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A SEVRES (HARD PASTE) PORCELAIN GOLD-GROUND TEAPOT AND COVER (THEIERE 'BOUILLOTTE')

CIRCA 1779, IRON-RED CROWNED INTERLACED L'S ENCLOSING DATE LETTER BB, PAINTER'S MARK FOR P. PARPETTE, INCISED AP

Details
A SEVRES (HARD PASTE) PORCELAIN GOLD-GROUND TEAPOT AND COVER (THEIERE 'BOUILLOTTE')
CIRCA 1779, IRON-RED CROWNED INTERLACED L'S ENCLOSING DATE LETTER BB, PAINTER'S MARK FOR P. PARPETTE, INCISED AP
Finely painted with loose bouquets and flower sprigs in resist against the gold-ground, a band of colorful scrollwork at the rim, the stylized dolphin spout above purple fluting, surmounted by a silver-gilt and wooden bail handle, the side hinges modeled as interlaced L's rather than as a lyre, as is usual for a bouillotte
7 ½ in. (19 cm.) high, overall
Provenance
Likely the example ordered by Marie-Antoinette or Louis XVI in 1779.
The Dowager Duchess of Beaufort Collection; Christie's, London, March 1890.
The Wright Collection.
The Bragge Collection.
The Hector Binney Collection; Sotheby's, London, 5 December 1989, lot 146.
Literature
A. Dawson, French Porcelain: A Catalogue of the British Museum Collection, London, 1994, p. 144-145.
J.H. Munger, “A Bouillotte in the Museum of Fine Arts, Boston”, Mélanges en souvenir dElisalex dAlbis, Paris, 1999, pp. 103-109.
L.H. Roth and Clare Le Corbeiller, French Eighteenth-Century Porcelain at the Wadsworth Atheneum – The J. Pierpont Morgan Collection, Hartford, CT, 2000, cat. no. 97, p. 207 – footnotes 15, 17.
L. Paredes, Sèvres Then and Now Tradition and Innovation in Porcelain, 1750-2000, exhibition catalogue, Hillwood Museum and Gardens Foundation, 2009, pp. 36-37, 59 – footnote 30.

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Lot Essay

The present gold-ground tea kettle or théière bouillotte is almost certainly the example sold either to Marie Antoinette or to Louis XVI at Le Voyage de Versailles held January 1779.
Although eighty-nine examples of this form are listed in the factory sales records, only twelve can be accounted for today. Of these, eight are in museums. The remaining four are all in the United States, three in two different private collections. The present example, acquired by Dalva Brothers at the prestigious Hector Binney auction of 1989, appears to be the only example to not have a lyre as the side plate to the handle, the twisted wire instead resembling interlaced Ls. Produced in two sizes, the model was introduced in 1774, the majority made between 1778 and 1783. Frustratingly, the sales records include very few references to decoration, noting simply 1 bouillotte and a price ranging from less than 100 livres to 360. Once can thus surmise that the least expensive would be of the 2nd size and painted with scattered flowers while the most expensive would be of the first size and painted with chinoiserie decoration. Aside from the king and queen, purchasers at the Voyage de Versailles in 1779 and 1780 included the duc de Chartres and the le duc d’Angoulême. In 1778, Mme. Adelaïde purchased a tea kettle for 360 livres, likely the salmon ground example of the first size with chinoiserie decoration, now in a private American collection.
The present example with its rich bouquets of flowers on a gold ground, may well have been the example sold to either the king for 312 livres (f.178r) or to the queen for 288 livres (f. 179r). It must certainly be the example for which Philippe Parpette was paid 48 livres for the decoration, described in his payment records for 19 January 1779 as bouillotte fleurs sur fond dor (a bouillotte decorated with flowers on a gold ground – SCC-Archives MNS Vj’1). Parpette, recorded at the manufactory from 1755-57 and 1773-1806 as a painter of flowers, as well as a gilder and enameler, specialized in this type of gold ground decoration, examples of which are now in Pavlovsk, purchased by the Comte and Comtesse du Nord, pseudonyms for Tsar Paul and Empress Maria Feodorovna of Russia, during their travels in France in 1781-1782. See Pavlovsk The Collections, Paris, 1993, p. 149, fig. 18.

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