Attributed to Domenico Cresti, Il Passignano (Passignano 1559-1638 Florence)
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Attributed to Domenico Cresti, Il Passignano (Passignano 1559-1638 Florence)

A religious procession in a harbour with two anchored galleys

Details
Attributed to Domenico Cresti, Il Passignano (Passignano 1559-1638 Florence)
A religious procession in a harbour with two anchored galleys
black chalk, pen and brown ink, brown wash
7 7/8 x 14 in. (20 x 35.5 cm)
Provenance
Unidentified collector’s wax seal (not in Lugt).
Dr Paul Fischer, Lucerne (according to the Landolt typescript catalogue).
Anonymous sale; Galerie Fischer, Lucerne, 18 June 1996, lot 4004, where acquired by Robert Landolt.
Exhibited
Zurich, Graphische Sammlung ETH, Zwiegespräch mit Zeichnungen. Werke des 15. bis 18. Jahrhunderts aus der Sammlung Robert Landolt, 2013-2014, no. 12, ill. (catalogue entry by M. Matile).
Special notice
These lots have been imported from outside the EU or, if the UK has withdrawn from the EU without an agreed transition deal, from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

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Stijn Alsteens
Stijn Alsteens

Lot Essay


This complex composition does not, as has been suggested in the past, represent the siege of a city, but rather a religious festival. A procession of worshippers passes through the tower at the centre of the drawing, followed by two men carrying a shrine or statue and bishops. A joyous crowd watches the scene from two fanciful galleys, from smaller boats and from the shore and a tower at right, while a salute is fired at left to mark the occasion. A more precise identification of the subject might help with the attribution of the sheet, which has remained elusive. The name of to Domenico Cresti, a Florentine artist active for several years in Venice in the first half of his career, has been suggested on the basis of a comparison with drawings such as a battle scene at the Albertina (inv. 736; see V. Birke and J. Kertész, Die italienischen Zeichnungen der Albertina, I, Vienna, Cologne and Weimar, 1992, pp. 386-387, ill.).

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