A CELADON JADE CARVING OF AN OWL
A CELADON JADE CARVING OF AN OWL
A CELADON JADE CARVING OF AN OWL
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A CELADON JADE CARVING OF AN OWL

SHANG DYNASTY, C. 1600-1046 BC

Details
A CELADON JADE CARVING OF AN OWL
SHANG DYNASTY, C. 1600-1046 BC
The jade is carved in the round as an owl standing on its feet and tail, with a pair of notched horns. It is incised overall using lines in relief with scroll motifs depicting feathers.
2 in. (4.8 cm.) high, box
Provenance
Lantien Shanfang Collection, acquired in Taipei in 1996

Lot Essay

The motif of the owl is one of the earliest and most prominent images in ancient China. As early as the Neolithic periods, owl was already represented in the art of different cultures, such as the pottery owls of the Yangshao Culture (C. 5500-3500 BC), and jade carvings of small owls of the Hongshan Culture (C. 4000-3000 BC). By the Shang dynasty, the owl was depicted in round sculptural forms in various media including jade, marble, and bronze, almost invariably in a powerful stance, as the Shang people may have believed it to represent the God of War. Compare to a closely related jade owl was found in the tomb of Fu Hao, see The Jades from Yinxu, Beijing, 1981, no. 56 (465) (fig. 1).

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