MITSUTA HARUO (B. 1980)
MITSUTA HARUO (B. 1980)
MITSUTA HARUO (B. 1980)
MITSUTA HARUO (B. 1980)
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MITSUTA HARUO (B. 1980)

Sawagani (Geothelphusa dehaani)

Details
MITSUTA HARUO (B. 1980)
Sawagani (Geothelphusa dehaani)
The copper, bronze and brass articulated sculpture of a river crab finely constructed of numerous hammered parts jointed togather with movable limbs and eyes
2 in. (5.1 cm.) wide
With original wood box sealed Haru

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

Lot Essay

Because the crab crawls sideways, never backwards, samurai interpreted the crab as a symbol of bravery. The claws and hard shell of the crab also relate to the iron armor of warriors, who frequently wore fantastic iron helmets in the form of the crab. Since the Edo period (1615–1868), the crab has featured in the jizai work of the Myochin school of metalsmiths up to the pioneer of articulated sculpture in the modern period, Takase Kozan (1868–1894).
Though most jizai crabs are of the small, freshwater variety (sawagani), there are rarer examples of swimming crabs (watarigani), such as one in the British Museum. The smallest known articulated crab with 0.8 cm shell is in the Kiyomizu Sannenzaka Museum, Kyoto.
In Mandarin Chinese, crab is pronounced xie, a homophone for “harmony” 諧. As the shell of the crab means both “armor”, jia, and “first”, the crab also connotes success in the civil examination required for advancement.

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