A PAIR OF FRENCH 'CHINOISERIE' ORMOLU-MOUNTED GLAZED EARTHENWARE JARDINEIRES
A PAIR OF FRENCH 'CHINOISERIE' ORMOLU-MOUNTED GLAZED EARTHENWARE JARDINEIRES
A PAIR OF FRENCH 'CHINOISERIE' ORMOLU-MOUNTED GLAZED EARTHENWARE JARDINEIRES
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A PAIR OF FRENCH 'CHINOISERIE' ORMOLU-MOUNTED GLAZED EARTHENWARE JARDINEIRES
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A PAIR OF FRENCH 'CHINOISERIE' ORMOLU-MOUNTED GLAZED EARTHENWARE JARDINEIRES

BY EUGENE COLLINOT, CIRCA 1870

Details
A PAIR OF FRENCH 'CHINOISERIE' ORMOLU-MOUNTED GLAZED EARTHENWARE JARDINEIRES
BY EUGENE COLLINOT, CIRCA 1870
Each with pierced entrelac rim above a tapering body finely decorated in the manner of Chinese enamel with scallop-edged cartouches with scenes of exotic birds against a yellow ground with blooming pink lotus, on a circular leaf-cast base raised on four paw feet, the underside marked 'E.C./ 11938'
13 ½ in. (34.5 cm.) high; 16 in. (40 cm.) diameter

Lot Essay

Eugène-Victor Collinot (d.1882) was born at Röhrbach, Moselle, and studied ceramics in Algeria and the east while serving in the French army. He collaborated with Adalbert de Beaumont to publish a design book Encyclopédie des arts coratifs de l'Orient, divided by style including Ornements de la Chine and Ornements arabes, persans et turcs and contains engravings recording works of art in their own collections and seen on their travels. The encyclopédie had a seminal influence on the introduction of Middle and Far Eastern styles to French artists such as Théodore Deck. In 1863, Collinot and Beaumont founded their own faience factory in Boulogne-sur-Seine inventing a technique to control the flow of enamels on ceramic to create colourful and detailed decoration, which he called cloisonné because of its resemblance to the Far Eastern enamel metalwork of that name.

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