A FRENCH PATINATED, SILVERED AND PARCEL-GILT BRONZE VASE
A FRENCH PATINATED, SILVERED AND PARCEL-GILT BRONZE VASE
A FRENCH PATINATED, SILVERED AND PARCEL-GILT BRONZE VASE
A FRENCH PATINATED, SILVERED AND PARCEL-GILT BRONZE VASE
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A FRENCH PATINATED, SILVERED AND PARCEL-GILT BRONZE VASE

THE DESIGN ATTRIBUTED TO EMILE REIBER, BY CHRISTOFLE & CIE., PARIS, CIRCA 1882

Details
A FRENCH PATINATED, SILVERED AND PARCEL-GILT BRONZE VASE
THE DESIGN ATTRIBUTED TO EMILE REIBER, BY CHRISTOFLE & CIE., PARIS, CIRCA 1882
In the Chinese taste, the ovoid vase with mast handles, cast in bas-relief with geometeric motifs, the foot engraved 'CHRISTOFLE & CIE', the underside stamped '1167179'
9 ½ in. (24.1 cm) high; 8 in. (20.3 cm) wide
Provenance
Acquired from Historical Design, New York, 2008.
Literature
Henri Bouilhet, 150 Ans D'Orfèvrerie, Paris, 1981, p. 162.

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Lot Essay

This vase relates to a large compendium of Emile Reiber's drawings of Chinese and Japanese works from the extensive collection of Henri Cernuschi, the Italian-born financier who amassed over 5,000 objects during his travels abroad between 1871 and 1873. Upon his return, the collection was shown in the Exposition Orientaliste at the Palais de l'Industrie. The exhibition resonated deeply with Paris's burgeouning artist community and Emile Reiber, then the Director of Christofle, spent many days drawing the works of art. Reiber published his drawings in 1877 in Propagande artistique du Musée-Reiber, Le Premier volume des Albums-Reiber, bibliothéque portative des arts du dessin. The emergence of the 'japonisme' movement had started in the 1860s with the import of Japanese works of art following the Meiji restoration. Their exceptional quality led Lucien Falize, another advocate of the Far East, to describe Reiber as the ‘father of Japonism’.
Christie's is grateful to Anne Gros, curator of the Christofle Collection, for her assistance in dating this vase.

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