AN EARLY GEORGE III ORMOLU-MOUNTED MAHOGANY COMMODE
AN EARLY GEORGE III ORMOLU-MOUNTED MAHOGANY COMMODE
AN EARLY GEORGE III ORMOLU-MOUNTED MAHOGANY COMMODE
2 More
Please note this lot will be moved to Christie’s F… Read more
AN EARLY GEORGE III ORMOLU-MOUNTED MAHOGANY COMMODE

IN THE MANNER OF JOHN COBB, CIRCA 1760-65

Details
AN EARLY GEORGE III ORMOLU-MOUNTED MAHOGANY COMMODE
IN THE MANNER OF JOHN COBB, CIRCA 1760-65
Of serpentine form, with two short and two long drawers each with sycamore cockbeading, the sides with sycamore line inlay and mounted with handles
32 in. (81.5 cm.) high, 45 1⁄2 in. (115.5 cm.) wide, 24 1⁄4 in. (62.5 cm.) deep
Provenance
The Collection of Lord Samuel of Wych Cross.
Special notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

Brought to you by

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

Lot Essay

This subtly bowed commode, veneered in beautifully figured mahogany and ormolu-mounted in the French manner is characteristic of the Royal cabinet-maker John Cobb (d. 1785). John Cobb established his partnership with William Vile (d.1767) in circa 1751, and were among the accomplished cabinet-makers of the mid-Georgian period. Their work is characterized by confident lines, well-chosen, high-quality timber and beautifully detailed carving. This elegant commode is designed in the George III 'French' taste, and features foliate handles with fixed bails typical of this style. The pierced angle mounts and drop handles are comparable to a number of bombé form commodes by Cobb, often similarly raised on cabriole legs ending in sabots. A pair of commodes with nearly identical pierced foliate handles and mounts to the apron were commissioned by the Duke of Norfolk and supplied to Nofolk House, London (one illustrated in A. Coleridge, Chippendale Furniture, New York, 1968, fig. 234).

More from The Collection of Pierre Durand

View All
View All