Lot Essay
David Butler adorned his home and yard in Patterson, Louisiana with fantastical painted cut metal sculptures of animals, figures, and religious symbols. One of the finest examples of Butler’s work, the present lot was central to the landmark 1982 exhibition Black Folk Art in America 1930-1980, featuring prominently in the front of the accompanying catalogue. The work’s striding figure, adorned with found objects and paint-decorated with bold polka dots, shows Butler’s artistic prowess whilst incorporating and referencing the material culture of his community.
Once, I took him an old umbrella handle, thinking he might find some use for it in his artwork. Boy, did he ever know how to create comething out of that: the celebrating and much published figurative Walking Stick in my collection.
- William Fagaly on David Butler (William Fagaly, The Night Crawler King: Memoirs of an Art Museum Curator (University press of Mississippi, 2021), p. 84.)
Once, I took him an old umbrella handle, thinking he might find some use for it in his artwork. Boy, did he ever know how to create comething out of that: the celebrating and much published figurative Walking Stick in my collection.
- William Fagaly on David Butler (William Fagaly, The Night Crawler King: Memoirs of an Art Museum Curator (University press of Mississippi, 2021), p. 84.)