SIGNED HAJJI SAYYED REZA KASHANI, CENTRAL PERSIA, CIRCA 1890

Details

A KASHAN 'MOHTASHAM' RUG
SIGNED HAJJI SAYYED REZA KASHANI, CENTRAL PERSIA, CIRCA 1890
Mostly in full pile, localised light wear, overall good condition
6ft.8in. x 4ft.6in. (203cm. x 138cm.)

Special notice

Specifed lots (sold and unsold) marked with a filled square not collected from Christie’s, 8 King Street, London SW1Y 6QT by 5.00 pm on the day of the sale will, at our option, be removed to Crown Fine Art (details below). Christie’s will inform you if the lot has been sent ofsite. If the lot is transferred to Crown Fine Art, it will be available for collection from 12.00 pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crown Fine Art. All collections from Crown Fine Art will be by prebooked appointment only. This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice. The USA prohibits the purchase by US persons of Iranian-origin “works of conventional craftsmanship” such as carpets, textiles, decorative objects, and scientific instruments. The US sanctions apply to US persons regardless of the location of the transaction or the shipping intentions of the US person. For this reason, Christie’s will not accept bids by US persons on this lot. Non-US persons wishing to import this lot into the USA are advised that they will need to apply for an OFAC licence and that this can take many months to be granted.

Brought to you by

Barney Bartlett Junior Specialist

bbartlett@christies.com +44 (0) 791 769 5730

Lot Essay

The inscription reads, ‘Amal karkhaneh Hajji Sayyed Reza Kashani, 'Made by the workshop of Hajji Sayyed Reza Kashani'

While this rug is signed by an unknown weaver, Hajji Sayyed Reza Kashani, it bears all of the characteristics typical of the “Mohtasham” workshop. It is clearly drawn, with a curvilinear design, but with an execution that is somewhat angular, and the wool used is the very best kurk wool. For a discussion about the weaver Mohtasham and his carpets, see Siawosch Azadi, 'The Mark of Mohtasham', HALI, no. 160, 2009, pp.67-73). For further Mohtasham carpets in the present sale, see lots 159, 160, 205 and 222.

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