A GHIORDES PRAYER RUG
A GHIORDES PRAYER RUG
A GHIORDES PRAYER RUG
6 More
A GHIORDES PRAYER RUG
9 More
Specifed lots (sold and unsold) marked with a fill… Read more PROPERTY FROM THE PAUL DEEG COLLECTION
A GHIORDES PRAYER RUG

WEST ANATOLIA, CIRCA 1800

Details
A GHIORDES PRAYER RUG
WEST ANATOLIA, CIRCA 1800
Overall wear, localised corrosion, scattered small repairs, lined; together with a 'Transylvanian' prayer rug, West Anatolia, 17th century
5ft.9in. x 4ft.2in. (177cm. x 127cm.); 5ft 1in. x 4ft. (154cm. x 123cm.)
Provenance
Acquired from Franz Bausback, Mannheim, 1976 and 1983
Literature
Peter Bausback, Antike Meisterstucke Orientalischer Knupfkunst, Mannheim, 1975, p.67
Peter Bausback, Alte und antike orientalische Knüpfkunst, Mannheim, October 1981, p.13
Special notice
Specifed lots (sold and unsold) marked with a filled square not collected from Christie’s, 8 King Street, London SW1Y 6QT by 5.00 pm on the day of the sale will, at our option, be removed to Crown Fine Art (details below). Christie’s will inform you if the lot has been sent ofsite. If the lot is transferred to Crown Fine Art, it will be available for collection from 12.00 pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crown Fine Art. All collections from Crown Fine Art will be by prebooked appointment only. This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Sale room notice
Please note that this lot also includes a Transylvanian prayer rug, West Anatolia, 17th century.

Brought to you by

Barney Bartlett
Barney Bartlett Junior Specialist

Lot Essay

This well-known type, many examples of which have survived, was produced in specialised workshops in the west Anatolian towns of Ghiordes, Kula and Ladik over a long period from the first half of the 18th century. Their elegant design and colouring proved particularly popular throughout the Ottoman Empire and a great number were exported to Europe. They borrow design elements from much earlier Ottoman court designs but notable characteristics of the group include a finely stepped acute arch with prominent shoulders, and two cross panels, one above and the other below the niche, or mihrab. The often plain open mihrab ocasionally includes small hanging pendant motifs or, as in the present rug, has a series of floral buds decorating the inner profile of the mihrab and standing in great contrast to the deep inky-blue field.

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