CYRUS EDWIN DALLIN (1861-1944)
CYRUS EDWIN DALLIN (1861-1944)
CYRUS EDWIN DALLIN (1861-1944)
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CYRUS EDWIN DALLIN (1861-1944)
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CYRUS EDWIN DALLIN (1861-1944)

The Scout

Details
CYRUS EDWIN DALLIN (1861-1944)
The Scout
inscribed 'C.E.D./1910' (on the base)—inscribed 'COPYRIGHT 1912/CE. DALLIN' and stamped 'GORHAM FOUNDERS QALH 15' (along the base)
bronze with brownish black patina
34 3⁄4 in. (88.3 cm.) high
Modeled in 1910; cast circa 1970s.
Provenance
Mongerson-Wunderlich Galleries, Chicago, Illinois.
Private collection, Arizona, acquired from the above, 1990.
Christie's, New York, 20 May 2010, lot 65, sold by the above.
Acquired by the late owner from the above.
Literature
Gorham Company, Famous Small Bronzes, exhibition catalogue, New York, 1929, p. 59, another example illustrated.
R.G. Francis, Cyrus E. Dallin: Let Justice Be Done, Springville, Utah, 1976, pp. 52, 54-55, 212, 251, fig. 324, another example illustrated.
P.J. Broder, Bronzes of the American West, New York, 1974, pp. 101-02, 105, fig. 95, another example illustrated.

Brought to you by

Tylee Abbott
Tylee Abbott Senior Vice President, Head of American Art

Lot Essay

Cyrus Dallin first modeled The Scout in 1910, which became the basis for his heroic, ten-foot-sized version modeled in 1914. The artist entered the monumental cast into the 1915 Panama Pacific Exposition in San Francisco, where it won a gold medal. After the Exposition, The Scout was shown temporarily in Kansas City's Penn Valley Park where it received considerable acclaim and was purchased by the residents of the city, where it still stands today. The Gorham Foundry cast The Scout in three smaller sizes: approximately 8 inches high, 20 inches high, and the present size, about 30 inches high. At least 7 in the present scale were cast during the artist's lifetime and cast numbers 14-18 were cast by Gorham in the 1970s, including the present work.

The Scout is part of Dallin's renowned 'Indian Cycle' of sculpture, also including The Signal of Peace, The Medicine Man, The Protest and The Appeal to the Great Spirit, among others. For Dallin, the series provided a channel to utilize the preliminary studies that he made from visiting Buffalo Bill's camp at Neuilly, France while studying in Paris in 1888. Lorado Taft, a sculptor and Dallin's contemporary, wrote auspiciously: "Rodin used to tell us that his task was to find the heroic in the everyday actions. Mr. Dallin finds it without difficulty in his favorite subjects and our critics are enriched through his sympathetic interpretations." (as quoted in R.G. Francis, Cyrus E. Dallin: Let Justice Be Done, Springville, Utah, 1976, p. X)

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