GIOVANNI BATTISTA TIEPOLO (Venice 1696-1770 Madrid)
This lot has been imported from outside of the UK … Read more Property from the Cornelia Bessie Estate
GIOVANNI BATTISTA TIEPOLO (Venice 1696-1770 Madrid)

An angel addressing the three Magi

Details
GIOVANNI BATTISTA TIEPOLO (Venice 1696-1770 Madrid)
An angel addressing the three Magi
with inscription ‘Tiepolo’ (lower left)
black chalk, pen and brown ink, brown wash
35.6 x 26 cm (14 x 10 1⁄4 in.)
Provenance
Alexandre Doucet, Paris; by inheritance
Madame A. Doucet; Paris, Hôtel Drouot, 21-22 November, 1966, lot 101.
Hanns Schaeffer (1886-1967), New York; given to Kate Schaeffer (1898-2000) to mark their 42nd wedding anniversary in 1967 (according to a note on the back of the frame); and by descent to their daughter
Cornelia Bessie (1929-2020), New York.
Exhibited
New York, The Metropolitan Museum of Art, Drawings from New York Collections, III, The 18th Century in Italy, 1971, no. 99, ill.
Special notice
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

Brought to you by

Stefano Franceschi
Stefano Franceschi Specialist

Lot Essay

At first glance this beautiful drawing could be interpreted as a study of a secular subject, if it were not for the presence of the angel behind the three men. Tiepolo frequently experimented with the creation of draped men in oriental costumes wearing elaborate headdresses, revealing an almost inexhaustible inventiveness in the creation of new details. Many drawings of individual figures in oriental guise, like the Magi in this drawing, are in the collection of the Victoria and Albert Museum (G. Knox, Catalogue of Tiepolo Drawings in the Victoria and Albert Museum, London, 1975, pp. 22-26). These exotic characters also populate Giovanni Battista’s series of etchings entitled Scherzi di fantasia, published in the 1750s (A. Rizzi, The Etchings of the Tiepolos, London, 1971, nos. 4-26, ill.). The present sheet cannot be connected to any of Tiepolo’s painted or printed works, and given its large format and its assured and appealing execution it was most likely conceived as an independent work of art.

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