AN EARLY GEORGE III MAHOGANY URN STAND
AN EARLY GEORGE III MAHOGANY URN STAND
AN EARLY GEORGE III MAHOGANY URN STAND
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Please note lots marked with a square will be move… Read more
AN EARLY GEORGE III MAHOGANY URN STAND

CIRCA 1765

Details
AN EARLY GEORGE III MAHOGANY URN STAND
CIRCA 1765
The serpentine square top with pierced fretwork gallery above a plain frieze with candle-slide to one side, on fluted legs and block feet, raised on castors, restorations and replacements to gallery and brackets, with calk inscription '7737' to the underside, with printed and inscribed Ann and Gordon Getty Collection inventory label
24 1/2 in. (62.2 cm.) high, 16 1/4 in. (41.3 cm.) wide, 15 1/2 in. (39.4 cm.) deep
Provenance
Property from the Collection of Geoffrey Blackwell, Esq., O.B.E.; Christie's, London, 9 July 1992, lot 139.
‌Acquired by Ann and Gordon Getty from the above.
Special notice
Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information.

Brought to you by

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

Lot Essay

GEOFFREY BLACKWELL, COLLECTOR
‌Geoffrey Blackwell, O.B.E. (1884-1943) was unusual amongst the leading collectors of English furniture of the first half of the twentieth century in combining modern British pictures and Georgian furniture, with which he furnished his Berkhamsted house. He was friendly with artists such as Henry Tonks and was an unofficial member of the New English Art Club. Quite possibly inspired by the seminal publication of Macquoid & Edwards' Dictionary of English Furniture in 1924, Blackwell entered the world of Georgian furniture collecting. In this, as with several other notable collectors of the day, he sought the wise counsel of the connoisseur and advisor R. W. Symonds and his collection was clearly deemed important enough to form the subject of two articles by Symonds in Apollo in 1936 (vol. XXIII). Symonds was behind the formation of several other prominent early twentieth century collections of English furniture, such as those formed by Percival Griffiths, J. S. Sykes, James Thursby Pelham, E. B. Moller and Frederick Poke and often acted as intermediary between collectors when they decided to 'refine' their collections. One Blackwell family story goes that one of Blackwell's sons was out fox-hunting with the Whaddon when Griffiths was killed. Returning home, he informed his father who was taking a bath. He immediately leapt out of the tub and telephoned Symonds to see which pieces would be available.
‌The superb Vile bookcase supplied to Queen Charlotte in the Getty Collection, lot 39 in the Evening Sale, also formed part of Blackwell's collection.

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