A FRENCH ORMOLU-MOUNTED FLEUR DE PECHER MARBLE CHIMNEYPIECE
A FRENCH ORMOLU-MOUNTED FLEUR DE PECHER MARBLE CHIMNEYPIECE
A FRENCH ORMOLU-MOUNTED FLEUR DE PECHER MARBLE CHIMNEYPIECE
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A FRENCH ORMOLU-MOUNTED FLEUR DE PECHER MARBLE CHIMNEYPIECE
9 More
This lot will be removed to Christie’s Park Royal.… Read more
A FRENCH ORMOLU-MOUNTED FLEUR DE PECHER MARBLE CHIMNEYPIECE

LATE 19TH/ EARLY 20TH CENTURY

Details
A FRENCH ORMOLU-MOUNTED FLEUR DE PECHER MARBLE CHIMNEYPIECE
LATE 19TH/ EARLY 20TH CENTURY
The domed top surmounted by a satyr mask issuing a three-branch candelabra above a dial with enamel Roman numerals, the frieze carved with egg-and-dart, the scrolled uprights with entrelac and fluting
95 in (241.5 cm.) high, overall; 67 in. (170 cm.) wide; the mantel 16 in. (40.5 cm.) deep; 22 in. (56 cm.) including the candelabra
Provenance
Henri-Edmont Canonne (1867-1961) at Château d'Hennemont, Saint-Germain en-Laye.
P‌urchased with the château in 1928 by Tukojirao III Holkar XIII Bahadur (1890-1978) and passed to his son
‌Yeshwant Rao Holkar II, Maharaja of Indore (1908-1961).
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends. This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

Brought to you by

Charlotte Young
Charlotte Young Associate Director, Specialist

Lot Essay


‌This magnificent chimneypiece was installed in the château d'Hennemont, Saint-Germain-En-Laye, home of the pharmacist and businessman Henri-Edmont Canonne (1867-1961). Having made his fortune in 1904 with the success of the popular Valda throat pastille, Canonne commissioned the architect Henri Duchampt to build the château for him in 1907. His wealth also allowed him to acquire an incredible collection of Impressionist masterpieces including seventeen of Claude Monet's Nymphéas, as well as pictures by Bonnard, Cézanne, Pissarro, Renoir, Signac, Sisley and Vuillard, amongst others; many of these now grace the walls of prominent museums. His collection was published by A. Alexandre, La Collection Canonne, une histoire en action de l'impressionnisme et de ses suites, Paris, 1930. Several important works formerly in his collection have been sold by Christie's, most recently Claude Monet's, Nymphéas, temps gris, painted in 1907 which sold in London, 28 June 2022, lot 38 for £30,059,500 (including premium).

‌Château d'Hennemont was sold in 1928 to Tukojirao Holkar III, formerly Maharaja of Indore, whose son Yeshwant Rao Holkar II, Maharaja of Indore (1908-1961) used the ch‌âteau to entertain his wide circle of avante guard and artistic friends including the photographer Man Ray. His tastes were quite different to Indian princes before him, embracing Modern Design rather than more traditional styles from the 17th and 18th centuries. He boldly commissioned the German architect Eckart Muthesiu to design Manik Bagh (Jewel Garden), Indore to house what was considered to be one of the world's most important collections of Modern Design. The Maharaja's collection was celebrated in the 2019-2020 exhibition Modern Maharajah: Patron of the 1930s at the Musée des Arts Décoratifs, Paris. Oliver Gamet, the museum director commented that “The West has always been inspired by the East but [the Maharaja] was one of the very few to do the inverse.”

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