AN IMPORTANT AND RARE LARGE BLUE AND WHITE 'DRAGON' JAR
AN IMPORTANT AND RARE LARGE BLUE AND WHITE 'DRAGON' JAR
AN IMPORTANT AND RARE LARGE BLUE AND WHITE 'DRAGON' JAR
2 More
AN IMPORTANT AND RARE LARGE BLUE AND WHITE 'DRAGON' JAR
5 More
AN IMPORTANT AND RARE LARGE BLUE AND WHITE 'DRAGON' JAR

JIAJING SIX-CHARACTER MARK AND OF THE PERIOD (1522-1566)

Details
AN IMPORTANT AND RARE LARGE BLUE AND WHITE 'DRAGON' JAR
JIAJING SIX-CHARACTER MARK AND OF THE PERIOD (1522-1566)
The heavily potted ovoid jar is boldly decorated in vibrant cobalt-blue with two fierce five-clawed dragons with writhing scaly bodies flying amidst ruyi-shaped clouds above crashing waves, and separated by two stylized shou characters stemmed from lingzhi fungus, all below a lotus scroll band at the shoulder and above a ruyi-head band at the foot. The waisted neck is inscribed with a six-character Jiajing mark.
21 1/4 in. (54 cm.) high, Japanese wood box
Provenance
Mayuyama, Japan, by repute
Ninomiya Kenichi (1898 - 1996), acquired prior to 1955
Ehime Bunkakan, Japan
Mayuyama & Co., 2016
Literature
Mayuyama & Co., Ltd, A Jiajing and Wanli Exhibition Catalogue, Tokyo, 2016, pp. 10-13, no.1
Exhibited
Tokyo Art Club, Special Triennial Tobi Art Fair, 14-16 October 2016
Mayuyama & Co., Ltd, Tokyo, A Jiajing and Wanli Exhibition, 18-23 October 2016

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Marco Almeida (安偉達)
Marco Almeida (安偉達) SVP, Senior International Specialist, Head of Department & Head of Private Sales

Lot Essay

The present lot was formerly in the Ehime Bunkakan Collection. The Ehime Museum of Art is located beside the moat of Imabari castle where the Hisamatsu family, a branch of the Tokugawa shogunate, had resided since 1635 in present day Ehime prefecture. The Ehime Museum of Art was established in 1955 by Ninomiya Kaneichi (1898-1996). Kaneichi was a successful businessman who made his fortune from forestry. When he was only eighteen years old, he had an important role in his father’s modest workshop of wood products. Kaneichi eventually took over the business and through skillful investments he introduced new machine tools and started a modern sawmilling factory. Using a keen business acumen, Kaneichi’s strenuously bought forest and mountains across Shikoku Island in the 1930s, sensing the dramatic change that would happen in society in the coming years when Japan would enter into a long period of war. His foresight was proven right, as after the war the demands of timber reached a height as cities were rebuilt. His contributions to his hometown of Imabari were particularly generous, where he was subsequently elected a city council member. After the war, Kaneichi grew concerned that traditional values and cultural relics had lost their importance in society and began to collect Chinese and Japanese antiques. Shortly after, he joined the Japanese Ceramics Society, and his knowledge became enriched by the top academics and long-standing antique dealers in the society, such as Mayuyama & Co., leading to enriching his collection with top quality works. His love of his hometown and his passion for art prompted him to open the Ehime Museum of Art, established to contribute to the cultural landscape of the local community.

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