TWO EGYPTIAN RED JASPER INLAYS
TWO EGYPTIAN RED JASPER INLAYS
TWO EGYPTIAN RED JASPER INLAYS
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PROPERTY FROM AN ENGLISH PRIVATE COLLECTION
TWO EGYPTIAN RED JASPER INLAYS

NEW KINGDOM, LATE 18TH DYNASTY, CIRCA 1333-1292 B.C.

Details
TWO EGYPTIAN RED JASPER INLAYS
NEW KINGDOM, LATE 18TH DYNASTY, CIRCA 1333-1292 B.C.
The face: 21 mm high; the arm: 28 mm long.
Provenance
By repute Howard Carter (1874-1939), based on the inscription on the back of the mount
A. Ingram collection, U.K.
Antiquities, Sotheby's, London, 15 July 1980, lot 347.
Property of a private foundation.
Acquired from the above by the present owner.
Literature
J. A. Speers (ed.), Art at Auction. The Year at Sotheby Parke Bernet 1979-80, New York, 1980, p. 404.
C. E. Loeben, 'Two elements of Relief Inlay', in Ancient Egypt. Masterpieces from Collectors and Collections, 10th edition of the Brussels Ancient Art Fair, 2012, pp. 78-79.

Brought to you by

Claudio Corsi
Claudio Corsi Specialist, Head of Department

Lot Essay

Inlays such as the present examples served as ornaments for decorative panels for shrines and funerary equipment as well as luxurious furniture for the living or even jewellery. This technique of using semi-precious stones to create brightly coloured inlays was likely developed to find a long-lasting solution to unreliable pigments used in paints. They were also more commonly moulded in coloured glass, imitating the effect of semi-precious stones such as these examples in jasper.
The finest examples of such inlays were produced during the Amarna Period, such as the quartzite head inlay in the Brooklyn Museum representing Akhenaten or Smenkhare, (inv. no. 33.685) which shows several similarities with this example, including the elongated eye recessed for now-missing inlays. The lack of a pronounced chin typical of the Amarna style, however, would place the present example within the post-Amarna production.

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