Lot Essay
This charming portrait, from the series of the Large Oriental Heads, was made by Castiglione in his maturity and shows the influence of Northern examples and Rembrandt's etchings. The identification of the sitter has been widely debated: is it a self-portrait or a portrait of the Roman sculptor Gian Lorenzo Bernini? It seems that still no consensus between scholars has been reached. The intense gaze of the man captivates the viewer's attention, and 'the floppy beret and plumed feather add a touch of theatrical exotica that would suggest to Castiglione's erudite views, familiar with iconologies or dictionaries of signs and symbols, that he possessed furia (intensely driven creative energies)'. (T. J. Standring, M. Clayton, Castiglione -The Lost Genius, 2013, London, p. 65.)
The present impression is a particularly fine and atmospheric impression, with much plate tone and wiping marks, suggesting an early printing in the artist's workshop.
The present impression is a particularly fine and atmospheric impression, with much plate tone and wiping marks, suggesting an early printing in the artist's workshop.