AN IMPORTANT WILLIAM DE MORGAN AND WILLIAM MORRIS FRAMED 'ACANTHUS' TILE PANEL
AN IMPORTANT WILLIAM DE MORGAN AND WILLIAM MORRIS FRAMED 'ACANTHUS' TILE PANEL
AN IMPORTANT WILLIAM DE MORGAN AND WILLIAM MORRIS FRAMED 'ACANTHUS' TILE PANEL
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AN IMPORTANT WILLIAM DE MORGAN AND WILLIAM MORRIS FRAMED 'ACANTHUS' TILE PANEL
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Specified lots (sold and unsold) marked with a fil… Read more
AN IMPORTANT WILLIAM DE MORGAN AND WILLIAM MORRIS FRAMED 'ACANTHUS' TILE PANEL

CIRCA 1876

Details
AN IMPORTANT WILLIAM DE MORGAN AND WILLIAM MORRIS FRAMED 'ACANTHUS' TILE PANEL
CIRCA 1876
Comprising sixty-six tiles, decorated overall with entwined leafy branches and flowering tendrils, in blue-green shades on an indigo blue ground
66 1/2 x 38 1/8 in. (169 x 97 cm.), including frame
64 1/4 x 35 1/2 in. (163 x 90 cm.), excluding frame
Provenance
Almost certainly commissioned for Edward Charles Baring, 1st Baron Revelstoke, for Membland Hall, Devon.
Probably acquired after the sale of the house in 1916 and before its demolition in the 1920s.
Anonymous sale; Sotheby's, London, November 1991, lot 308.
Literature
D. Breuer et. al., Pre-Raphaelite and Other Masters, London, 2003, pp. 234, 313, cat. no. 177.

Comparative literature (the panel in the Victoria & Albert Museum):
J. Catleugh, William de Morgan Tiles, Shepton Beauchamp, 1991, p. 104.
L. Parry (ed.), William Morris, London, 1996, p. 193, K.19.
R. Hildyard, European Ceramics, London, 1999. p. 144, no. 56.
N. Billen (ed.), Design Cities: 1851-2008, London, 2008, pp.16-17, ill. p. 138.
Exhibited
London, Royal Academy, Pre-Raphaelite and Other Masters, 2003, no. 177.
Special notice
Specified lots (sold and unsold) marked with a filled square not collected from Christie’s, 8 King Street, London SW1Y 6QT by 5.00pm on the day of the sale will, at our option, be removed to Crozier Park Royal (details below). Christie’s will inform you if the lot has been sent offsite. If the lot is transferred to Crozier Park Royal, it will be available for collection on the third business day after the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crozier Park Royal. All collections from Crozier Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s, 8 King Street, it will be available for collection on any working day (not weekends) from 9.00am to 5.00pm

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Amelia Walker
Amelia Walker Director, Specialist Head of Private & Iconic Collections

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Lot Essay


In 1876, the English architect, George Devey (1820-1886), commissioned from William Morris (1834-1896) this bold design for bathroom tiles for Membland Hall in Devon, the home of the merchant banker, Edward Charles Baring, 1st Baron Revelstoke (1828-1897). It was part of a larger scheme of decoration by Morris & Co. for Baring's home as it underwent remodelling by the architect. The design is the only floral pattern for a tile panel on this scale by Morris and its ambitious size (each panel is made up of sixty-six individual tiles), and the need to produce a matching set, meant that Morris turned to his friend, the innovative ceramicist and designer, William de Morgan (1839-1917), to produce the tiles. The set represents an ambitious and successful collaboration between these two creative geniuses.

There were six tile panels with this design produced for Membland Hall. William Morris's original design for the panel is held in the William Morris Gallery, Walthamstow (museum no. A31) and is inscribed along the upper right edge, 'Tiles for bathroom, Membland'. A second panel from the set is preserved at the William Morris Gallery (museum no. C176) and another is in the collection of the Victoria & Albert Museum, London (museum no. C.36-1972); another was sold at Sotheby's, London, 19 December 1989, lot 81 and is now in the Musée d'Orsay, Paris (museum no. OAO 1210). Two panels of this design are in the collections of Ann and Gordon Getty, and the Museum of Applied Arts in Cologne acquired an 'Acanthus' panel in 1978 (E04941). The design remained on Morris & Co.'s stock lists until 1912-13 and a number of panels, other than the Membland six, are known to have been made, presumably available on commission. In 1899, Lewis Day attributed the design and its execution to the year 1876 (William Morris and His Art, Art Journal Supplement, 1899, p.19). At least one panel uses De Morgan's own Fulham Pottery tiles but De Morgan supplemented his own production by buying in blank tiles from the Architectural Pottery, Poole, Dorset, which he decorated at his Fulham factory.

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