A GEORGE III GOLD AND ENAMEL TABLE-NECESSAIRE WITH WATCH MOVEMENT AND CONCEALED EROTIC SCENE
A GEORGE III GOLD AND ENAMEL TABLE-NECESSAIRE WITH WATCH MOVEMENT AND CONCEALED EROTIC SCENE
A GEORGE III GOLD AND ENAMEL TABLE-NECESSAIRE WITH WATCH MOVEMENT AND CONCEALED EROTIC SCENE
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A GEORGE III GOLD AND ENAMEL TABLE-NECESSAIRE WITH WATCH MOVEMENT AND CONCEALED EROTIC SCENE
8 More
This lot has been imported from outside of the UK … Read more PROPERTY OF THE BAYREUTH TRUST
A GEORGE III GOLD AND ENAMEL TABLE-NECESSAIRE WITH WATCH MOVEMENT AND CONCEALED EROTIC SCENE

BY JAMES COX, LONDON, CIRCA 1770

Details
A GEORGE III GOLD AND ENAMEL TABLE-NECESSAIRE WITH WATCH MOVEMENT AND CONCEALED EROTIC SCENE
BY JAMES COX, LONDON, CIRCA 1770
Rectangular casket, decorated on all sides with cartouche shape sablé panels chased and enamelled with pointers, springer spaniels, pheasants, cranes, ducks, hares, exotic birds, foliage and flowers in landscapes and in between with sprays of flowers, all in white, pink, blue and green hues, with borders of interweaving ribbons, the inside of the cover fitted with a watch, the verge movement signed Jas. Cox London 1000, the white enamel face with roman numerals, the bezel chased with interlaced ribbons, the necessaire consisting of four gold-mounted perfume flasks with gold stoppers and five various implements, the cover with a secret compartment painted on wood with a doctor inspecting a lady with a magnifying-glass in a pharmacy, also set with a mirror; in a later red leather case stamped 'Harvey & Gore, 4 Burlington Gardens, London, W1'
3 1/4 in. (82 mm.) long
Provenance
Anonymous sale; Christie's, Geneva, 10 May 1983, lot 87.
Anonymous sale; Christie's, New York, 28 April 1992, lot 120.
Special notice
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

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Amjad Rauf
Amjad Rauf International Head of Masterpiece and Private Sales

Lot Essay


James Cox, the celebrated London jeweller and goldsmith, specialised in lavish and charming objects of vertu. Cox worked in London from at least 1757 when he is first mentioned at 103 Shoe Lane. Around 1765 he began producing sumptuous toys with integrated watches and automaton, in the form of miniature cabinets or bureaux made of agate and gold cage-work decorated with animals, birds, pagodas, and Chinese figures, which greatly appealed to the Asian market. The St. James's Chronicle reported in 1772 that a large collection of his work 'struck the Chinese with so much Astonishment, that the whole was purchased for the Emperor, and no other was then admired'.

This new found fame led to many of his pieces being made for export to India and China, where they were known as 'sing-songs'. By 1773 his workshop was employing some 1000 men and exported nearly £750,000 worth of goods between 1766 and 1772. One of his most famous creations was the Peacock Clock made for Prince Potemkin for his Tauride Palace, now in the Winter Palace, St. Petersburg and the life-size swan automaton with silver plumage now in the Bowes Museum, Barnard Castle. Despite it all, Cox appears to have been constantly on the verge of bankruptcy and during his career James Christie held a numbered of sales of his stock in trade. In 1773 Cox published a catalogue of his major automata to be disposed of by lottery, and in 1778 he was declared bankrupt. He appears to be dead by 1792, as on 16 February of that year Christie's held a further sale of his estate (C. le Corbeiller, 'James Cox: A Biographical Review', The Burlington Magazine, June, 1970, pp. 351-358).

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