RAJA SARDAR SINGH (R. 1740-78) ON A TERRACE
RAJA SARDAR SINGH (R. 1740-78) ON A TERRACE
RAJA SARDAR SINGH (R. 1740-78) ON A TERRACE
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RAJA SARDAR SINGH (R. 1740-78) ON A TERRACE

UNIARA, RAJASTHAN, INDIA, CIRCA 1760

Details
RAJA SARDAR SINGH (R. 1740-78) ON A TERRACE
UNIARA, RAJASTHAN, INDIA, CIRCA 1760
Opaque pigments heightened with gold and silver on paper, within narrow black border and white and red rules, red margins, laid down on cream paper with red inner and black outer rules, the verso plain, framed
Painting 10 x 7 7⁄8in. (25.5 x 20cm.); folio 15 x 11in. (38 x 28cm.)
Provenance
With Tooth Paintings, 1980
Literature
Indian Paintings from the 17th to 19th centuries, Exhibition Catalogue, Tooth Paintings, London, 1980, no.25.

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Lot Essay


The small state of Uniara, which is situated between Bundi and Jaipur, gave rise to a short lived but accomplished school of painting in the 18th century. In 1759 Sardar Singh was awarded the title Rao Raja Bahadur by the Mughal Emperor Shah ‘Alam, which likely precipitated greater artistic patronage and production as befitting this increase in status (J.P. Losty, ‘A Hitopadesha manuscript of 1761-62 from Uniara’ in Andrew Topsfield (ed.), Court Painting in Rajasthan, Mumbai, 2000, p.115). Whilst initially displaying greater parallels with Bundi painting, by the latter decades of the 18th century the Uniara school gravitated more closely to the Jaipur style. A similar portrait of Sardar Singh is in a manuscript of the Hitopadesha in the British Library (OR.MS.13934, f.8lr) and another was illustrated in Simon Ray, Indian & Islamic Works of Art, Exhibition Catalogue, London, 2015, no.50, pp.122-23.

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