EDWARD WADSWORTH, A.R.A. (1889-1949)
EDWARD WADSWORTH, A.R.A. (1889-1949)
EDWARD WADSWORTH, A.R.A. (1889-1949)
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PROPERTY FROM THE FAMILY OF EDWARD WADSWORTH
EDWARD WADSWORTH, A.R.A. (1889-1949)

Landscape in Provence

Details
EDWARD WADSWORTH, A.R.A. (1889-1949)
Landscape in Provence
signed and dated 'Edward Wadsworth 1922' (lower left)
pencil on paper
11 1⁄8 x 16 in. (28.3 x 40.6 cm.)
Executed in 1922.
Provenance
The artist, and by descent to the present owners.
Literature
B. Wadsworth, Edward Wadsworth: A Painter’s Life, Salisbury, 1989, p. 380, no. W/B 85.
J. Black, Edward Wadsworth, Form, Feeling and Calculation: The Complete Paintings and Drawings, London, 2005, pp. 49, 50, 173, no. 174, illustrated.
Exhibited
London, Leicester Galleries, Paintings in Tempera and Drawings by Edward Wadsworth, March 1923, no. 38.
London, Tate Gallery, Edward Wadsworth: A Memorial Exhibition, February - March 1951, no. 74.
London, Osborne Samuel, Edward Wadsworth: The Rhythm of Things, Paintings & Drawings, September - October 2006, no. 13.

Brought to you by

Pippa Jacomb
Pippa Jacomb Director, Head of Day Sale

Lot Essay

Across the Modern British and Irish Art Evening and Day sales, Christie’s are delighted to be offering a group of works by Edward Wadsworth, which are being sold directly from the artist’s family. This group demonstrates Wadsworth’s skill and diversity, and is led by his striking early Self Portrait in a Turban of 1911 (please see lot 14 in the Evening sale), painted the year he won First prize for Figure Painting at the Slade School of Art. In the Day sale, works from all decades of his career are represented: from the earliest work of 1912, a rare oil painting depicting Gran Canaria where he and his wife Fanny spent their honeymoon; to a 1944 tempera painting Straight from the Tap I, which came about as part of a war-time commission from the ICI in which a stylised female figure occupies her domestic environment. These works have remained in the artist’s family since they were painted, and not only do they confirm Wadsworth’s position within the avant-garde of the time, but they also document the more private life of the artist and his family.

For works from this collection please see lot 14 in the Modern British and Irish Art Evening sale on 18 October, and lots 103-108 in the Modern British and Irish Art Day sale on 19 October.


In 1922, Wadsworth and his family travelled to the South of France, their first holiday abroad since the War, and he was entranced by the light of Marseilles and the local fishing ports, as well as the surrounding Provençal landscape. 'The return to a simplified form of realism, with objects reduced to basic block-like shapes, is evident in works he painted in the countryside of Provence around Marseilles such as Landscape in Provence, 1922 [the present lot] and Near Marseilles, 1922' (J. Black, Edward Wadsworth, Form, Feeling and Calculation: The Complete Paintings and Drawings, London, 2005, pp. 49, 50).

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