A LATE LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND BOIS CITRONNIER BUREAU A CYLINDRE
A LATE LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND BOIS CITRONNIER BUREAU A CYLINDRE
A LATE LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND BOIS CITRONNIER BUREAU A CYLINDRE
4 More
A LATE LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND BOIS CITRONNIER BUREAU A CYLINDRE
7 More
A LATE LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND BOIS CITRONNIER BUREAU A CYLINDRE

BY ADAM WEISWEILER, CIRCA 1785-90

Details
A LATE LOUIS XVI ORMOLU-MOUNTED MAHOGANY AND BOIS CITRONNIER BUREAU A CYLINDRE
BY ADAM WEISWEILER, CIRCA 1785-90
With pierced ormolu three-quarter galleried white and gray marble rectangular top, the gallery cast with swagged draperies above three short frieze drawers above rectangular roll top, opening to sliding writing surface, above four similarly paneled drawers surrounding the kneehole, the right-hand false double-drawer enclosing hidden compartment, on circular tapering fluted legs with sabots, each side fitted with writing slides, stamped 'A. WEISWEILER' three times
45 in. (114.5 cm.) high, 47 in. (119.5 cm.) wide, 22 ¼ in. (56.5 cm.) deep
Provenance
Anonymous sale; Christie's, New York, 22 November 1983, lot 215.

Brought to you by

Csongor Kis
Csongor Kis AVP, Specialist

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

Adam Weisweiler, maître in 1778.

Born in Neuwied, Weisweiler is believed to have studied with David Roentgen (1743-1807) before emigrating to Paris, where he was established as an artisan libre – a foreign worker protected by the medieval right of refuge – by 1777, the year of his marriage. The following year he became a maître-ébéniste, and established his workshop on the rue du Faubourg Saint-Antoine, joining Reisener and the elite group of German artisans providing pieces for the French royal family. While he is recorded to have worked with the marchand-mercier Julliot, the luxury pieces for which he is best known were almost exclusively sold directly through Dominique Daguerre. He provided the designs for many of Weisweiler’s most important commissions and together they supplied the most influential and esteemed patrons of their day: Louis XVI and Marie Antoinette, George, Prince of Wales (later King George IV), and Grand Duchess Maria Feodorovna and Grand Duke Paul of Russia.

More from A Park Avenue Collection

View All
View All