VIVIENNE WESTWOOD, 
'ANGLOPHILIA' COLLECTION, 
AUTUMN-WINTER 2002⁄03
VIVIENNE WESTWOOD, 
'ANGLOPHILIA' COLLECTION, 
AUTUMN-WINTER 2002⁄03
VIVIENNE WESTWOOD, 
'ANGLOPHILIA' COLLECTION, 
AUTUMN-WINTER 2002⁄03
3 More
VIVIENNE WESTWOOD, 
'ANGLOPHILIA' COLLECTION, 
AUTUMN-WINTER 2002⁄03
6 More
VIVIENNE WESTWOOD, 'ANGLOPHILIA' COLLECTION, AUTUMN-WINTER 2002 / 03

A PAIR OF BROWN LEATHER 'ANIMAL TOE' LACE UP HEELED 'TRAINER' SHOES

Details
VIVIENNE WESTWOOD,
'ANGLOPHILIA' COLLECTION,
AUTUMN-WINTER 2002 / 03
A PAIR OF BROWN LEATHER 'ANIMAL TOE' LACE UP HEELED 'TRAINER' SHOES
With pierced decoration to fronts, piped in cream leather, moderate heels the sides stitched with stripes, Gold Label
Literature
C. Wilcox, Vivienne Westwood, London, 2004, p. 200, identical model illustrated.
Further details
The Estate of Vivienne Westwood will donate 100% of the total hammer proceeds received for the sale of her personal wardrobe, less auction expenses, to be split equally between The Vivienne Foundation, Médecins Sans Frontières (a charity registered in England and Wales with charity number 1026588) and Amnesty International (registered in England and Wales with charity number 1051681).

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Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

Lot Essay

Approaching the theatrical, designs such as the Animal Toe shoes have become symbolic of the house, sublimating their purely functional role. The animal toe motif first appeared in the ‘Summertime’ collection of Spring-Summer 2000, which looked to the symbolism of Bacchus, the Roman god of agriculture, wine and fertility. 'Bestial shoes bore the imprint of animal toes' notes Alexander Fury, in Vivienne Westwood Catwalk, p.428. These revealed a likeness to fauns or even the lion’s paw of a mythical creature. There is a sexual tension between the shoes and the body beneath, as the foot appears to press its imprint into the leather (‘Westwood Heritage: Animal Toe’, Vivienne Westwood Heritage, www.viviennewestwood.com).

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