HARMEN STEENWYCK (LEIDEN C.1612-1656 DELFT)
HARMEN STEENWYCK (LEIDEN C.1612-1656 DELFT)
HARMEN STEENWYCK (LEIDEN C.1612-1656 DELFT)
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HARMEN STEENWIJCK (LEIDEN C.1612-1656 DELFT)

A huntsman holding a dead hare, with his two dogs, next to a partially draped ledge with birds, fruit and hunting paraphernalia, and a stool laden with fish

Details
HARMEN STEENWIJCK (LEIDEN C.1612-1656 DELFT)
A huntsman holding a dead hare, with his two dogs, next to a partially draped ledge with birds, fruit and hunting paraphernalia, and a stool laden with fish
oil on canvas
56 7/8 x 89 1/8 in. (144.5 x 226.5 cm.)
Provenance
with John Moncrieff MacMillan, London, from whom acquired in July 1983 by the present owner.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay


Harmen Steenwijck belonged to a family of painters, including his uncle David Bailly, with whom he and his brother, Pieter Steenwijck, trained in Leiden. Bailly was a key proponent of the vanitas genre, for which Harmen also became particularly well-known.

The present composition is made up of Steenwijck’s characteristic motifs of game, fish, earthenware jugs and fruit, enabling the artist to play with the contrasting textures of scales, leather, fur and wood. Generally known for working on a small scale, this is one of the largest works Steenwijck completed, probably during the last decade of his life in the 1650s when his handling of paint became somewhat looser.

We are grateful to Dr. Fred G. Meijer for confirming the attribution on the basis of photographs, and for dating the painting to circa 1650.

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