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PROPERTY OF THE ACHENBACH FOUNDATION FOR GRAPHIC ARTS, SOLD TO BENEFIT FUTURE ACQUISITIONS
VARIOUS ARTISTS
A Collection of 16th Century Prints
Details
VARIOUS ARTISTS
A Collection of 16th Century Prints
Marcantonio Raimondi, Trajan crowned by Victory, engraving, circa 1520-25, a good but slightly later impression;
Agostino Veneziano after Raphael, Emperor Hadrian on horseback freeing Androcles, engraving, circa 1516-17, a very good impression, laid down, with some defects;
Master of the Die after Raphael, Aeneas carrying Anchises, engraving, circa 1530-60, a good but slightly later impression, probably second, final state;
Lucas van Leyden, Fortitude, engraving, 1530, a good but later impression of the second, final state, pale scattered foxing and some thin spots;
Agostino Carracci after Jacopo Tintoretto, The Crucifixion, engraving, 1589, a good but later impression, second, final state, the sheet window-mounted , with several repairs and defects;
Camillo Procaccini, The Rest on the Flight into Egypt, etching, 1593, a good but slightly later impression, fractionally trimmed inside the subject, some stains on the verso showing through recto, a minor made-up paper loss at the lower right corner
Plate 293 x 436 mm., Sheet 302 x 449 mm. (Raimondi)
Sheet 370 x 256 mm. (Veneziano)
Plate 254 x 184 mm., Sheet 286 x 218 mm. (Master of the Die)
Sheet 166 x 111 mm. (Leyden)
Sheet 523 x 1200 mm. (Carracci)
Sheet 250 x 205 mm. (Procaccini)
A Collection of 16th Century Prints
Marcantonio Raimondi, Trajan crowned by Victory, engraving, circa 1520-25, a good but slightly later impression;
Agostino Veneziano after Raphael, Emperor Hadrian on horseback freeing Androcles, engraving, circa 1516-17, a very good impression, laid down, with some defects;
Master of the Die after Raphael, Aeneas carrying Anchises, engraving, circa 1530-60, a good but slightly later impression, probably second, final state;
Lucas van Leyden, Fortitude, engraving, 1530, a good but later impression of the second, final state, pale scattered foxing and some thin spots;
Agostino Carracci after Jacopo Tintoretto, The Crucifixion, engraving, 1589, a good but later impression, second, final state, the sheet window-mounted , with several repairs and defects;
Camillo Procaccini, The Rest on the Flight into Egypt, etching, 1593, a good but slightly later impression, fractionally trimmed inside the subject, some stains on the verso showing through recto, a minor made-up paper loss at the lower right corner
Plate 293 x 436 mm., Sheet 302 x 449 mm. (Raimondi)
Sheet 370 x 256 mm. (Veneziano)
Plate 254 x 184 mm., Sheet 286 x 218 mm. (Master of the Die)
Sheet 166 x 111 mm. (Leyden)
Sheet 523 x 1200 mm. (Carracci)
Sheet 250 x 205 mm. (Procaccini)
Provenance
William Sharp (19th Century), Manchester (Lugt 2650); his sale, Sotheby's, London, 1 March 1878 (and following days), lot 782 (with others; £ 2). (Master of the Die)
Achenbach Foundation of Graphic Arts, Fine Arts Museums of San Francisco (Lugt 3a; Lugt 5070, or without mark). (All)
Achenbach Foundation of Graphic Arts, Fine Arts Museums of San Francisco (Lugt 3a; Lugt 5070, or without mark). (All)
Literature
Bartsch 2 (Procaccini); 23 (Carracci); 72 (Master of the Die); 132 (Leyden); 196 (Veneziano); 361 (Raimondi)
Brought to you by
Stefano Franceschi
Specialist
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