A STANDING PRINCE
A STANDING PRINCE
A STANDING PRINCE
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PROPERTY OF A SWISS LADY
A STANDING PRINCE

FOLLOWER OF SHAYKH 'ABBASI, SAFAVID IRAN, THIRD QUARTER 17TH CENTURY

Details
A STANDING PRINCE
FOLLOWER OF SHAYKH 'ABBASI, SAFAVID IRAN, THIRD QUARTER 17TH CENTURY
Ink and wash heightened with gold on paper, laid down with applied gold-speckled margin with a densely illuminated gold and polychrome headpiece above, in an illuminated green border, set within gold and polychrome rules, laid down on gold-speckled salmon pink card, the reverse plain, mounted, framed and glazed
Drawing 4 1⁄8 x 2in. (10.5 x 5cm.); folio 13 ¼ x 8in. (33.6 x 20.2cm.)
Provenance
'Property of a Qajar Prince and his Family', Christie's London, 19 October 1993, lot 109

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Lot Essay


This painting is closely comparable to the work of the artist Shaykh ‘Abbasi whose dated works show him as active during the reigns of Shah ‘Abbas II and Shah Sulayman. His style is characterised by the use of pointillism for shading and creating volume in figures, but also by his choice of subjects. There is no evidence that he worked in India yet he is the artist most often associated with the blending of Indian and Persian painting and he frequently chose Indian men and women as his subjects. A similar portrait signed by Shaykh ‘Abbasi sold in these Rooms, 23 October 2007, lot 168.

Other examples of Shaykh 'Abbasi's work are in the Art and History Trust Collection (Abolala Soudavar, Art of the Persian Courts, New York, 1992, nos.146, 147, pp.367-8), the Musée Guimet, Paris, 7166 (Mark Zebrowski, Deccani Painting, London, 1983, p.197) and in the collection of the late Edwin Binney III, (Islamic art from the collection of Edwin Binney III, Washington, 1966, no.53).

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