REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Old Man in Meditation, leaning on a Book

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Old Man in Meditation, leaning on a Book
etching and drypoint
circa 1645
on laid paper, without watermark
a fine, tonal and atmospheric impression of this rare, lightly etched print
second, final state
printing with good clarity and contrasts
with fine horizontal wiping marks and inky plate edges
with small to narrow margins
in very good condition
Plate134 x 107 mm.
Sheet 143 x 112 mm.
Provenance
Prosper Henry Lankrink (1628-1692), London (Lugt 2090, recto).
Richard Dawnay, 10th Viscount Downe (1903-1965), Wykeham Abbey, Yorkshire (Lugt 719a); his posthumous sale, Sotheby's, London, 7 December 1972, lot 251 (£ 1.100; to Boerner, probably for Lancy).
Leslie E. Lancy (1911-1996), Ellwood City, Pennsylvania (Lugt 4796).
With David Tunick, Inc., New York (with their code DTMI in pencil verso).
Sam Josefowitz (Lugt 6094); acquired from the above in 1978; then by descent to the present owners.
Literature
Bartsch, Hollstein 147; Hind 218; New Hollstein 226 (this impression cited)
Stogdon 66

Brought to you by

Tim Schmelcher
Tim Schmelcher International Specialist

Lot Essay

This lightly bitten etching of an old man holding a closed book in a moment of quiet contemplation is reminiscent of the figure of Saint Jerome, which Rembrandt depicted on several occasions (see lot 35). In this instance, however, the inclusion of a globe, faintly seen in the lower right corner, indicates that he is a scholar rather than a saint. It is executed with great economy, the contours loosely delineated, with sparse areas of shadow behind the scholar’s back, shoulders and neck, the book and globe, just sufficient to suggest volume and space. The effect is the opposite of the ‘dark manner’ and ‘night piece’ prints (see lots 19 and 60) which are heavily etched and largely subsumed in inky darkness, relying on passages of illumination to define the subject. In this print only essential detail is included and the overall effect of the lightly etched lines and large blank areas is sketch-like and reminiscent of a silverpoint drawing. The shallowness of the etched lines did not permit a large print-run and impressions of this delicate and subtle etching are rare.

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