AN EGYPTIAN LIMESTONE ROUND-TOPPED STELE FOR IRET-HOR-RU
AN EGYPTIAN LIMESTONE ROUND-TOPPED STELE FOR IRET-HOR-RU
AN EGYPTIAN LIMESTONE ROUND-TOPPED STELE FOR IRET-HOR-RU
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AN EGYPTIAN LIMESTONE ROUND-TOPPED STELE FOR IRET-HOR-RU
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AN EGYPTIAN LIMESTONE ROUND-TOPPED STELE FOR IRET-HOR-RU

PTOLEMAIC PERIOD, CIRCA 332-30 B.C.

Details
AN EGYPTIAN LIMESTONE ROUND-TOPPED STELE FOR IRET-HOR-RU
PTOLEMAIC PERIOD, CIRCA 332-30 B.C.
20 in. (50.8 cm.) high
Provenance
U.S. private collection, New York.
Antiquities, Sotheby Parke Bernet, New York, 19 May 1979, lot 325.
U.S. private collection, Pennsylvania.
Property from a Pennsylvania Private Collection; Antiquities, Sotheby's, New York, 6 June 2006, lot 75.
with Charles Ede, London, (Egyptian Antiquities, 2010, p. 16).
Acquired by the current owner from the above, 2010.
Literature
P. Clayton, "Ancient Egypt," in M. Merrony, ed., Mougins Museum of Classical Art, Mougins, 2011, p. 37, fig. 10.
M. Merrony, "L'Ancienne Egypte," in M. Merrony ed., Musée d'Art Classique de Mougins: La Collection Famille Levett, Mougins, 2012, p. 25.
Exhibited
Musée d'Art Classique de Mougins, 2011-2023 (Inv. no. MMoCA548).

Brought to you by

Claudio Corsi
Claudio Corsi Specialist, Head of Department

Lot Essay

Carved in limestone with traces of original colour, this round-topped stela of a priest of Onuris called Iret-Hor-ru seems almost certainly to derive from Abydos, one of the main centres of the worship of that deity. The lunette of the stela depicts Iret-Hor-ru wearing a broad collar and a long kilt with his arms in an attitude of praise before a table of offerings piled high with a lotus bouquet, bread loaves, and fowl, below which two large sealed wine jars sit on stands. To the left are the objects of his worship: the divine triad of Abydos, composed of standing mummiform figure of Osiris Khentyamentiu, followed by falcon-headed Horsiusiri (Horus, son of Osiris), and finally Isis, these last two each with a single arm raised. All of the figures stand within an enormous shrine topped by uraei, below which a winged sun disk is represented on both the cavetto cornice and the lintel. The shrine is shown as a portable one on a sledge, the front of which may be seen at bottom right; this type of portable shrine is better known from (for example) the canopic shrine of Tutankhamun. Above this scene, the lunette of the stela is dominated by a larger winged sun disk, below which a central nefer sign (meaning “beautiful”) is approached on either side by personified udjat-eyes, each with a single human arm raised in greeting, while the eyes each rest on the heb-sign symbolizing festival. Behind each of these, a sekhem-wand, an emblem of power, stands before a recumbent Anubis jackal. Stylistically, the stela seems to fit well within the Abydos group studied by Munro, but exact parallels make the dating a matter of conjecture. However, a date in the Ptolemaic era seems likely.

The inscription in three horizontal registers of hieroglyphs in sunk relief give the name and titles of Iret-Hor-iru, his father, and his mother. Iret-hor-iru is called “the imy-is priest, the hesek-priest, the one who embraces the udjat-eye, the royal acquaintance,” a sequence of titles extremely well-attested at Abydos during the Late Period. The imy-is priest seems to have been associated especially with the cults of primeval gods Shu and Tefnut, while the hesek-priest was connected to the worship of Osiris. Iret-Hor-iru is also here called “the scribe of the temple of Onuris, Lord of Shayet,” and a series of other titles as well as the name of his father Anhur-iuf-ankh connect both men to this god, whose primary cult place was at Thinis in the Abydos nome (Shayet was probably a nearby cult center of Onuris). The mother of Iret-Hor-iru can be tentatively read as Het-ir-es. Given the preponderance of titles connected to the god Onuris, it is possible that the stela derives from a locality on the eastern bank of the Nile, close to the ancient city of Thinis.

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