CHILDE HASSAM (1859-1935)
CHILDE HASSAM (1859-1935)
CHILDE HASSAM (1859-1935)
CHILDE HASSAM (1859-1935)
3 More
CHILDE HASSAM (1859-1935)

Still Life of Roses, Glass Pitcher and Bowl

Details
CHILDE HASSAM (1859-1935)
Still Life of Roses, Glass Pitcher and Bowl
signed with artist's crescent device 'Childe Hassam.' (lower left)
oil on canvas
19 ¾ x 24 in. (50.2 x 61 cm.)
Painted circa 1888-90.
Provenance
Private collection, Massachusetts, circa 1920s.
Private collection, by descent from the above.
Hirschl & Adler Galleries, Inc., New York, acquired from the above.
Avery Galleries, Bryn Mawr, Pennsylvania.
Acquired by the present owner from the above, 2009.
Further details
This painting will be included in Stuart P. Feld’s and Kathleen M. Burnside’s forthcoming catalogue raisonné of the artist’s work.

Brought to you by

Paige Kestenman
Paige Kestenman Vice President, Senior Specialist

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The present work is a rare still-life painting by Childe Hassam, painted around 1888-90. While Hassam often included still-life vignettes within his figurative or interior paintings, he did not often paint independent still lifes until his later years in East Hampton. Still Life of Roses, Glass Pitcher and Bowl is an exception, along with the closely related Roses in a Vase (1890, The Baltimore Museum of Art, Maryland). H. Barbara Weinberg writes of the latter work, "The delicate Roses in a Vase, perhaps painted at the Isles of Shoals during June—New England's Months of Roses—reiterates the colorful bouquets in clear glass vases that appeared in Mrs. Hassam and Her Sister [1889, Terra Foundation for American Art, Chicago, Illinois] and anticipates the sumptuous flower-filled glass vases Hassam would depict in The Room of Flowers [1894, Private Collection]. It also revises with an Impressionist's palette the many still-life paintings of roses that Hassam's new friend J. Alden Weir made during the 1880s. Here, with an Impressionist's delight in capturing transparency and reflections, Hassam portrayed a vase of pale yellow roses...the fragile roses with drooping stems, fallen blossoms, and scattered petals." (Childe Hassam: American Impressionist, New York, 2004, pp. 239-40) The dynamic brushwork and ephemeral nature of the flowers create a composition that feels of-the-moment while demonstrating Hassam's mastery of Impressionism across subject matter.

More from American Sublime: Property from an Important Private Collection

View All
View All